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BILLY

Death, race, and injustice in the Deep South—in a deeply felt but crude first novel about the accidental death of a white girl that leads to the judicial murder of the black boy who killed her. The small town of Banes, Mississippi, 1937. White folks live in town, black folks live in the Patch. Proudest of the latter is Cinder, who has raised her son Billy Lee Turner on her own; her man Otis left for Chicago before Billy was born. But ten-year-old Billy has inherited Otis's ``wild-dog temper'' and carries a knife. Swimming in a pond in the woods with his friend Gumpy, the boys are attacked and overpowered by two older white girls, Lori and Jenny. Struggling to escape, Billy stabs Lori, who dies soon after. White vigilantes storm through the Patch and burn down a shack, despite the boys' speedy arrest. Even though mean Sheriff Tom concedes that ``that boy ain't got the slightest idea what he done,'' Billy is charged with first-degree murder, tried as an adult, sentenced to death and electrocuted. All of this is told with melodramatic frenzy (Cinder's eyes ``glowed the color of her burning soul'') and in a dialect so thick the characters sink under its weight. The all-seeing narrative eye roves so restlessly over a host of black and white characters that it never fixes on one, even Billy, for long—while minor but important characters, like Cinder's white father, get lost in the shuffle. Aside from a few moments of pathos when Billy is on Death Row, French's novel stays at the level of a lurid comic-strip. It is always distressing when a writer works at a harrowing portrayal of evil and misses by a country mile. For a fine treatment of similar material, read Ernest Gaines's A Lesson Before Dying (p. 167).

Pub Date: Nov. 1, 1993

ISBN: 0-670-85013-6

Page Count: 224

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1993

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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