The beautifully evoked jungles of southern Mexico are the setting for distinguished critic Guerard's eighth novel (Christine/Annette, 1985, etc.), a story that layers diaries and narratives from three separate time periods—1870, 1922, and the present—to tell of a fabulous Mayan ruin, Casas Grandes, and its nearby dopplegÑnger, a folly in the jungle called the Gran Hotel Balneario Chimalapa. Beginning in 1982 with the arrival of Tulane graduate student Eloise Deslonde, who is tracing the movements of the 19th-century adventuress Rosellen Maurepas for her thesis, ``The Liberated Woman in Antebellum and Postbellum New Orleans,'' the book plunges us into a world of interlocking stories of time-warped passions. We follow Rosellen from her first glimpse, as a teenager, of the dashing mercenary William Walker to her later attempt, in 1870, to determine once and for all whether Walker really died at the hands of a firing squad—or escaped to Casas Grandes. Charles Stanfield, a 20-year-old engineer, accompanies the bewitching Rosellen on her search. Hired to survey the site for a canal linking the Atlantic and the Pacific, Stanfield, instead of doing his job, falls into an idyll with Marita, an Indian girl, while Rosellen disappears among the haunted pyramids. Fifty years later, in 1922, Stanfield will return to the scene, drawn by advertisements for a 45-round bout featuring Jack Johnson, the dethroned black boxer. There, he will pass time with the boxer and his absurd retinue, including the erotic adventuress Monica Swift (based on the feminist poet Mina Loy). There, too, like Rosellen before him, he will disappear. And many years later, Eloise, busy unraveling the record of these lives, will almost vanish as well. For lovers of Mexico, then, a speculative biography of a place where, by paths only a novelist can reimagine, the figures of quite different epochs intersect and interact. At times bewildering and overly dense—like the jungle it evokes—and, in the end, much like the Grand Hotel Balneario itself: haunted, mysterious, beguiling.

Pub Date: June 1, 1996

ISBN: 1-880909-45-6

Page Count: 390

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1996

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There are unforgettable beauties in this very sexy story.


Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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