For casual readers, the brief personal passages may provide welcome pauses in what is a highly literate and demanding text...

CURIOSITY

An erudite analysis and exploration of curiosity through the author’s own works and those of countless others.

Manguel (A Reader on Reading, 2010, etc.), an Argentina-born Canadian essayist, translator, critic and editor, tackles a variety of difficult questions: Who am I? What is language? Where is our place? How are we different? Why do things happen? What can we possess? What comes next? In each of his 17 chapters, the author focuses on a different question posed by a curious mind, and each begins with a brief and sometimes-poignant anecdote from the author’s youth. Chief among the curious minds that fascinate Manguel is that of Dante, whose quest in The Divine Comedy is spiritual and who serves here as the author’s constant companion. It is worth noting that one of the book’s charms is the presence of numerous unusual illustrations, including many woodcuts from a 15th-century edition of Dante’s work. Among the fictional or mythical characters that readers meet on this journey through the history of mankind are Eve, Pandora, Ulysses and Ebenezer Scrooge, as well as a host of real scholars, religious figures, authors, poets, artists, philosophers and even economists. Human beings are, Manguel notes, self-conscious animals, capable of experiencing the world by asking questions and putting our curiosity into words, then turning those words into stories that lead to further questions. A fair sample can be found here. The author’s personal library is said to contain more than 30,000 volumes, and the wealth of references in this book demonstrates that he is indeed a voracious reader.

For casual readers, the brief personal passages may provide welcome pauses in what is a highly literate and demanding text perhaps best appreciated by followers of Manguel’s previous works.

Pub Date: March 17, 2015

ISBN: 978-0-300-18478-5

Page Count: 372

Publisher: Yale Univ.

Review Posted Online: Jan. 4, 2015

Kirkus Reviews Issue: Jan. 15, 2015

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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