An amiable if unsurprising daily diary (covering all of 1995 and half of 1996) from the great British thespian. Now in his 80s and almost completely retired from stage and screen, Guinness (Blessings in Disguise, 1986) seems content to go gently into that good night. His days are pleasantly routine; he reads the morning papers, feeds the fish in his pond, walks with his dogs, and enjoys the occasional jaunt into London. After the cocktail hour and a hearty supper, he curls up with a good book or a BBC documentary on the telly. Occasionally he takes a flutter on the national lottery, hoping to hit it big and go on an art-buying spree. But the greatest excitement is provided by brief holidays on the continent. It's all very, very British, and undemanding anglophiles will find much to revel in here. On the evidence of the diary, it's clear that Guinness would make an admirable, extremely genial dinner guest, charming, intellectually curious, with a nice supply of mildly amusing anecdotes. But the general effect here is as comfortably worn as an old pair of slippers. Age is the great enemy of actors—it destroys the crucial ability to remember their lines, reducing them to smaller and smaller roles. This, and diminished energies, are why Guinness now rejects almost all the offers that come his way. Whether it's British phlegm or stoicism or both, he calmly suffers the many insults and indignities of his aging body—his blind eye, his diminished hearing, etc. In contrast to the memoirs of many American actors, there is little egocentrism and a great deal of intelligence and aesthetic sensitivity here, as well as a keenly literate style. Guinness truly enjoys good books, music, and art, and he remains an active playgoer. His diary may not make for gripping material, but it does seem to suggest an ideal way to spend one's retirement.
Pub Date: Aug. 1, 1997
ISBN: 0-670-87589-9
Page Count: 224
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1997
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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