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COLLISIONS

A PHYSICIST'S JOURNEY FROM HIROSHIMA TO THE DEATH OF THE DINOSAURS

A thoroughly researched biography of an audacious scientist—and a new window into the history of high-energy physics.

A close look at a renowned experimental physicist with a dizzying career and a difficult personality.

Unlike some physicists of his day, Luis Alvarez never became a household name—perhaps, ironically, because his achievements were so numerous. A Nobel Prize winner, Alvarez isn’t known for any one thing: not for inventing the radar system that allowed planes to land in bad weather, not for designing precision detonators that exploded the plutonium bomb, not for creating the hydrogen bubble chamber that tracked the trails of elusive subatomic particles. If Alvarez is remembered for one thing, it’s not even physics: He and his son, Walter, were the first to show that the dinosaurs were likely doomed by an asteroid strike. All of which gives biographer Nevala-Lee endless material to weave into a story of intellectual restlessness. We see Alvarez—a “scientific Indiana Jones”—harnessing cosmic rays to search for secret chambers in the Chephren pyramid at Giza; signing his name in crayon on the atomic bomb; and combing moon dust for evidence of mysterious particles. For all of Alvarez’s adventures, Nevala-Lee’s narration seems at times too even-keeled, opting for staid detail over emotional resonance. Alvarez comes across as a maverick foiled at times by his own ego, as when he brags to strangers about classified war work. Through other characters, we glimpse something darker, a man who humiliated his colleagues, harangued his inferiors, bullied anyone who dared to disagree with him. Still, said a mentee, “people tolerated Luie Alvarez because it was so exciting to do physics with him.” Readers will likely feel the same. One wild experiment after the next, Nevala-Lee skillfully uses Alvarez’s story to provide a sweeping look at 20th-century physics, with its complicated ties to politics and culture, from the Manhattan Project to the Kennedy assassination. Indeed, by combining his bubble chamber with computer technology, Alvarez helped usher in today’s “big science,” which leaves little room for singular heroes of the sort Alvarez sought to be.

A thoroughly researched biography of an audacious scientist—and a new window into the history of high-energy physics.

Pub Date: June 10, 2025

ISBN: 9781324075103

Page Count: 352

Publisher: Norton

Review Posted Online: April 17, 2025

Kirkus Reviews Issue: May 15, 2025

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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