Hemon pulls no punches in his most ambitious novel to date.
With death the only escape from seemingly endless wars, a Bosnian refugee perseveres.
As this epic novel leaps from country to country, decade to decade, life to death and back again, little seems to connect for Rafael Pinto. He’s a witness to the assassination of Archduke Franz Ferdinand, which ignites the First World War. It also shatters Rafael’s old life in his home in Sarajevo, a city he fears no longer exists as his conscription into warfare takes him farther away. He is an outsider three times over—he's Jewish, he's homosexual, and he finds some respite from his meaningless life in drugs. He lives from moment to moment, for the next kiss, the bliss of the next high. That is, until he makes the crucial connection of his life, to a handsome Muslim soldier named Osman Karišik, who seems to sense a kindred spirit and woos Rafael without much regard to the protocols of their regiment. He might not give Rafael’s life purpose and meaning, but he does give him a reason to live that day and the next, to follow wherever he leads. Even when Osman dies, his voice remains very much alive within Rafael, with its insistence that now is not the time for him to die. Because he somehow has a daughter, who was Osman’s daughter and now his, who will require his protection. Throughout a narrative spanning decades, from Sarajevo to Shanghai, the bleakness of war and its aftershocks remains relentless, “the despair that overwhelmed him in the middle of the night, the horror of an absent future…which is constantly degrading. It is hard to see what the point of any of it is….We just live because we are afraid to die. We live out of cowardice.” Yet the writing remains powerful, beautiful, and the epilogue provides an origin story that puts everything that has preceded it in fresh light.
Hemon pulls no punches in his most ambitious novel to date.Pub Date: Jan. 24, 2023
ISBN: 978-0-374-28770-2
Page Count: 352
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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