by Alex Beam ‧ RELEASE DATE: March 17, 2020
An engrossing foray into architectural history.
The tale of a relationship and the “architectural treasure” it created.
As Boston Globe columnist Beam (The Feud: Vladimir Nabokov, Edmund Wilson and the End of a Beautiful Friendship, 2016, etc.) stylishly lays it out, this is the story of two very smart and strong-willed people and the unique house that came between them. The author begins in 1945 with a dinner party in an elegant Chicago apartment. Edith Farnsworth (1903-1977), an accomplished doctor and researcher, had recently purchased land near the Fox River, an hour southwest of Chicago, where she hoped to build a getaway home. Also at the party was the noted architect Mies van der Rohe (1886-1969), who had recently moved from Europe to America. When they met, van der Rohe said, “I would love to build any kind of house for you.” Farnsworth was prosperous, and the architect was ambitious. He had the innovative idea to “build the house of steel and glass; in that way, we’ll let the outside in.” From 1946 to 1947, the two made enjoyable visits to the site, and a close relationship developed. They agreed on a house with floor-to-ceiling glass at an estimated cost of $40,000. However, as Beam writes, a “funny thing happened on the way to building Mies’s glass house. [Architect] Philip Johnson built it first”—but he graciously acknowledged van der Rohe’s influence. By 1949, Farnsworth and van der Rohe “were no longer intimate friends.” Beam diligently chronicles the back-and-forth squabbles over skyrocketing costs that eventually brought the price to $70,000. The architect demanded more money, but Farnsworth had had enough, so she sued him. “Some of the great moments in the history of twentieth-century architecture flew by in the sleepy Yorkville courtroom,” writes the author, whose detailed recounting of the trial may be too much for some readers, but most will enjoy the cultural history aspect of the narrative. They settled out of court. Farnsworth rarely lived in her glass house (though it is now iconic), and van der Rohe became famous.
An engrossing foray into architectural history.Pub Date: March 17, 2020
ISBN: 978-0-399-59271-3
Page Count: 352
Publisher: Random House
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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