This engrossing wartime narrative offers a fresh look at the European campaign and an intimate sense of the war’s toll on...

THE LIBERATOR

ONE WORLD WAR II SOLDIER'S 500-DAY ODYSSEY FROM THE BEACHES OF SICILY TO THE GATES OF DACHAU

Well-researched, sprawling account of unforgiving combat in World War II, told with pulpy immediacy.

Kershaw (The Envoy: The Epic Rescue of the Last Jews of Europe in the Desperate Closing Months of World War II, 2010, etc.) crafts a dramatic historical narrative from lesser-known aspects of the European campaign by simultaneously focusing on the larger sweep of events and the experiences of one officer, Felix Sparks, whom the author interviewed prior to Sparks’ death in 2007. Sparks joined the Army as a way out of the Depression and was a lieutenant in the 45th “Thunderbird” Division of the National Guard when war broke out; the intensity of his combat experience was indicated by his rank of colonel at the war’s end. Sparks and his unit had a grueling wartime record: a year and a half of nearly constant combat, starting with the 1943 invasion of Sicily. Fortunately, Sparks “loved being a rifle company commander”; as the war intensified, he was seen as an officer with the rare combination of combat experience and esprit de corps. Yet multiple calamities befell Sparks and his unit, including the loss of his entire command during Anzio. Later, Sparks faced elite SS troops in harsh winter combat and was among the first American officers to liberate a concentration camp. Kershaw emphasizes the lethal, grinding absurdity of the European theater, which ultimately drove ordinary Americans like Sparks toward feats of bravery and endurance. Although the gruff dialogue and broad canvas of supporting characters can give the book the dramatized feel of a miniseries, it is an appealing addition to the literature of World War II.

This engrossing wartime narrative offers a fresh look at the European campaign and an intimate sense of the war’s toll on individual participants.

Pub Date: Oct. 30, 2012

ISBN: 978-0-307-88799-3

Page Count: 416

Publisher: Crown

Review Posted Online: Sept. 6, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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