by Alex Mar ‧ RELEASE DATE: Oct. 20, 2015
An enchanting and addictive report shedding much-needed light on a spiritualistic community obfuscated by historical...
A self-avowed skeptic investigates the shadowy world of modern witchcraft.
In this literary companion to the 2010 documentary American Mystic, which she directed, former Rolling Stone editor Mar dynamically illustrates her adventures journeying across America in search of witches, mystics, and polytheistic pagans. A cynical native New Yorker drawn to fringe communities “whose esoteric beliefs cut them off from the mainstream but also bond them closer together,” the author first traveled to Northern California’s Santa Clara County, where a “Feri priestess” named Morpheus has constructed the Stone City, a sanctuary for congregating covens to perform ritualistic ceremonies. While Mar outlines witchcraft’s history as a movement through the celebrated work of Englishman Gerald Gardner, the “godfather of Wicca,” the core of her book comprises profiles of the many witches she encountered. None of them are as fascinating as Morpheus, whom the author befriended deeply and honestly and who becomes an increasingly formidable influence. Though frequently overwhelmed, Mar’s fascination with the occult suffuses the narrative via in-depth explorations of intensive Feri witch rituals, a weeklong Spirit Gathering in a forest clearing in rural Illinois, participation in the annual pagan PantheaCon conventions, trial-and-error Feri training, and witchcraft circles hosted in a New England castle. The author initially approached craft rituals involving “circling, trancing, banishing personal demons, and bumping up against the dead” with dubiety and great hesitancy, yet once familiarized with her surroundings, she was enveloped in the wonder and the enlightenment each group imparted. A wide-eyed observer governed by an unshakable curiosity, Mar’s immersion in the multifaceted world of witchcraft (including a particularly chilling encounter with a necromancer) collectively broadened and enhanced her perspective about the craft itself—and will surely do the same for her readership.
An enchanting and addictive report shedding much-needed light on a spiritualistic community obfuscated by historical misinterpretation and pop-culture derision.Pub Date: Oct. 20, 2015
ISBN: 978-0-374-29137-2
Page Count: 288
Publisher: Sarah Crichton/Farrar, Straus and Giroux
Review Posted Online: July 29, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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by Alex Mar
by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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