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THE MARBLE ORCHARD

A brilliant debut.

Short story writer Taylor's first novel is a hillbilly noir employing literary language to explore the dark corners of human frailty.

Taylor sets his story in present-day western Kentucky, among coal-raped hills and "a dingy worn trouble of hollers" near the Gasping River, its waters "a worn keep of verses that even now were being writ with the ceaseless churn of the waters." Beam Sheetmire, "nineteen, full of bull piss with his own portion of meanness lurking in him," accidentally kills a man attempting to rob him while Beam was operating his father Clem's river ferry. Clem urges Beam to run, but Beam soon learns he’s running not from justice but from Loat Duncan, "a man others respected and feared," thief, gambler, pimp and killer. Taylor’s novel is a tangled, macabre morality tale, with Beam learning hard lessons exemplified by Pete, an old ginseng hunter, who tells him, "[y]ou’re in some bad country and it’s full of bad men." The plot speeds along, introducing minor players like a trucker in a three-piece suit, with eyes "no different than the clean blank eyes of a marble cherubim," and Daryl, "a double amputee and pusher of whores and prime stroke grass." Loat’s relentless pursuit isn’t about revenge. In fact, Beam is Loat’s biological son. Beam’s mother, Derna, once Loat’s mistress and then his prostitute, left him for "Clem...the mere jackscrabble of denim and hearsay, a rumor of a man who had loved a woman with all the sad implacable wrong of his heart." Taylor’s understanding of place, "ancient beyond all measure and remote beyond all reckoning," and the hard people who "walk around with the dark all their lives until they are the dark" echoes the cultural dissections of Daniel Woodrell and James Lee Burke.

A brilliant debut.

Pub Date: Feb. 10, 2015

ISBN: 978-1-935439-99-8

Page Count: 304

Publisher: Ig Publishing

Review Posted Online: Dec. 5, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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