The use of extreme trauma to further this story’s development creates an unredeemable disconnect.



Naomi Brisset, a 14-year-old white British girl in foster care, moves restlessly from home to home.

After Naomi accuses her latest foster father of being “a perv with a big prick P,” her social worker places her with a “second-generation British, West Indian” family, and Naomi begins to build familial connections with the parents, Tony and Colleen, who was also a foster child, and their two children, Pablo and Sharyna. Wheatle (Kerb-Stain Boys, 2018, etc.) has created a distasteful study in misogynoir, ableism, and homophobia. The book fast-tracks Naomi through situations where she leans into socially problematic scenarios with no apparent awareness: She begs her black foster mother to braid her hair so that she looks like Solange Knowles or Alicia Keys then is accused of cultural appropriation by a black girl who confronts her and is locked up in in-school suspension before being carted away. Wheatle's fictional Crongton leans into every negative stereotype of spaces where there are large concentrations of black communities. An opportunity to discuss issues of race in contemporary Britain is squandered when Dr. Martin Luther King Jr.’s “I Have a Dream” speech is quoted out of context, with Tony’s father being labeled racist while Naomi’s own racist commentary is not interrogated. The only queer relationship and characters in the story are demonized through violent and degrading behavior.

The use of extreme trauma to further this story’s development creates an unredeemable disconnect. (Fiction. 14-18)

Pub Date: Sept. 3, 2019

ISBN: 978-1-61775-753-2

Page Count: 288

Publisher: Akashic

Review Posted Online: June 10, 2019

Kirkus Reviews Issue: July 1, 2019

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Riveting, brutal and beautifully told.

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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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The pleasure of the protagonists’ romance notwithstanding, give this one a miss. (Romance. 14-18)


A hospital is an unlikely place for first love, but for two teenagers with cystic fibrosis who have a history of extended stays, it proves to be a realistic yet difficult backdrop.

Stella is a high school senior who is dedicated to her CF treatments while Will, a talented artist, is home-schooled and anticipating his 18th birthday, when he will be free to make his own medical decisions. Despite rocky first impressions, Stella and Will make a deal—Will must stick to his treatment regimen, and in return, Stella will model for him while he draws her portrait. This leads to romance, but the combination of CF and Will’s infection with B. cepacia requires that he must stay several feet away from Stella, making physical touch an impossibility. Stella eventually understands why living on the edge can be freeing, and Will begins taking his treatment regimen seriously—leading to their only bit of meaningful development. The novel is written in alternating chapters, creating a few unexpected plot developments, but much of it is predictable and forgettable due to thin characterization. All characters are presumed white except for gay, Colombian CF patient Poe, whose story arc fulfills tired stereotypical tropes and who seems to function mostly as a catalyst for Stella’s growth.

The pleasure of the protagonists’ romance notwithstanding, give this one a miss. (Romance. 14-18)

Pub Date: Nov. 20, 2018

ISBN: 978-1-5344-3733-3

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: Jan. 31, 2019

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