THE FURY

A devourer from beyond threatens all teens hold dear.

Cal, Daisy and Brick have just been attacked, spit upon and bitten by both people who care about them and complete strangers—and it’s not stopping. As the violence escalates, they learn that teens around the world are being inexplicably targeted by their friends, families and strangers. Taking refuge at an abandoned amusement park, the teens try to provide a safe haven for other victims of this strange fury. However, when a dark void begins destroying parts of London and one of the teens changes into a supernatural being, the refugees realize that the source of their problems may not be an earthly one. Smith crafted a sinister world with a diabolical villain, emotional tension and a touch of the supernatural in the prison-break series Escape from Furnace. He’s attempted to do the same thing with a heftier dose of the supernatural in this doorstopper but with much less success. The narrative is fractured, shared among a host of storytellers, none of whom is particularly engaging. Daisy and Cal share the reversed-fortunes-of-popularity trope, while Brick’s unloved-ginger story is a peculiarly British idiom. Ultimately, the supernatural elements feel like MacGuffins, there to propel meandering action toward meaningless resolution.

Better consigned to the void than the shelf. (Thriller. 12 & up)

Pub Date: Aug. 20, 2013

ISBN: 978-0-374-32495-7

Page Count: 592

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s.

GRIS GRIMLY'S FRANKENSTEIN

A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.

Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.

Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)

Pub Date: Aug. 27, 2013

ISBN: 978-0-06-186297-7

Page Count: 208

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 3, 2013

Kirkus Reviews Issue: July 15, 2013

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A thoughtful and thrilling story of life, death, and meaning.

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SCYTHE

From the Arc of a Scythe series , Vol. 1

Two teens train to be society-sanctioned killers in an otherwise immortal world.

On post-mortal Earth, humans live long (if not particularly passionate) lives without fear of disease, aging, or accidents. Operating independently of the governing AI (called the Thunderhead since it evolved from the cloud), scythes rely on 10 commandments, quotas, and their own moral codes to glean the population. After challenging Hon. Scythe Faraday, 16-year-olds Rowan Damisch and Citra Terranova reluctantly become his apprentices. Subjected to killcraft training, exposed to numerous executions, and discouraged from becoming allies or lovers, the two find themselves engaged in a fatal competition but equally determined to fight corruption and cruelty. The vivid and often violent action unfolds slowly, anchored in complex worldbuilding and propelled by political machinations and existential musings. Scythes’ journal entries accompany Rowan’s and Citra’s dual and dueling narratives, revealing both personal struggles and societal problems. The futuristic post–2042 MidMerican world is both dystopia and utopia, free of fear, unexpected death, and blatant racism—multiracial main characters discuss their diverse ethnic percentages rather than purity—but also lacking creativity, emotion, and purpose. Elegant and elegiac, brooding but imbued with gallows humor, Shusterman’s dark tale thrusts realistic, likable teens into a surreal situation and raises deep philosophic questions.

A thoughtful and thrilling story of life, death, and meaning. (Science fiction. 14 & up)

Pub Date: Nov. 29, 2016

ISBN: 978-1-4424-7242-6

Page Count: 448

Publisher: Simon & Schuster

Review Posted Online: July 26, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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