A tremendously timely and important study of the rhetoric of hatred in our times.
A deeply relevant study of genocidal motivation and manifestation in America.
Rutgers anthropologist Hinton offers deep instruction for anyone seeking to better understand the bigotry that permeates American society. As the founder and director of the Center for the Study of Genocide and Human Rights and an expert witness in the prosecution of Khmer Rouge ideologue Nuon Chea, who was convicted of genocide in the international tribunal in Cambodia in 2018, the author is well situated to investigate the topic. Structuring the narrative around his college seminars, he uses as a point of departure the 1935 bestseller by Sinclair Lewis, It Can’t Happen Here, which focused on a populist demagogue who advanced bigoted, dictatorial themes, just as Trump did decades later. Hinton is deeply concerned with the idea of why people hate and how that hate plays out publicly. The violent Unite the Right rally in Charlottesville, Virginia, in 2017 plays a large role in this work, as the author shows how previously hidden White supremacist ideologies came to the fore. Hinton shows how these “ruptures” are simply one element of a long-standing systemic problem that Trump flushed into the open. “His presidency,” writes the author, “was a symptom of a long and enduring history of systemic white power in the United States, one filled with moments in which genocide and mass violence took place.” In addition to contextual background, Hinton moves methodically through specific White supremacist texts. As a committed teacher in the Socratic method, the author continually teases out answers from his intelligent, engaged students, who recognize that “it” has already happened here, many times over—from Native genocide to slavery to Jim Crow to the recent proliferation of White supremacy. As the author closes his well-researched, readable account in July 2020, one only wishes he could have included a section on the violent acts of Jan 6, 2021.
A tremendously timely and important study of the rhetoric of hatred in our times.Pub Date: June 8, 2021
ISBN: 978-1-4798-0801-4
Page Count: 304
Publisher: New York Univ.
Review Posted Online: May 12, 2021
Kirkus Reviews Issue: May 15, 2021
An intellectually probing analysis.
A wide-ranging investigation of gender, power, and abuse.
British literary scholar and cultural critic Rose examines the impetus for and experience of violence, especially against women. Casting a wide net, she considers sexual predation and harassment; violence against transgender women, including by feminists who engage in “the coercive violence of gendering”; violence depicted in literary fiction; South Africa, where a woman is murdered every three hours and Cape Town is known as the rape capital of the world; and violence against migrant women and children. Although Rose focuses mainly on male violence, she argues that violence is not inherent in masculinity, and she takes issue with feminists who see women “solely or predominantly as the victims of their histories.” Nevertheless, she calls sexual harassment “the great male performative, the act through which a man aims to convince his target not only that he is the one with the power, which is true, but also that his power and his sexuality are one and the same thing.” Though she does not believe “that all women are at risk from all men,” she concedes “that a woman does not say she is scared of a man without cause and that when she does so, we must listen.” Drawing on Freudian psychoanalytic theory, Rose sees violence as “part of the psyche,” characterizing violent behavior as “a crime of the deepest thoughtlessness. It is a sign that the mind has brutally blocked itself.” Feminists, she asserts, must reckon with “the extraordinary, often painful and mostly overlooked range of what the human mind is capable of.” Like Hannah Arendt, Rose sees violence as “a form of entitlement” inflamed by “illegitimate and/or waning power.” The abuse of refugees and asylum seekers, for example, reflects “the violence of colonial expansion” as well as a “fight to preserve the privilege of the few against the many.”
An intellectually probing analysis.Pub Date: May 18, 2021
ISBN: 978-0-374-28421-3
Page Count: 432
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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