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STUART

A LIFE BACKWARDS

Imaginative, piercing portrayal of a man shadowed by merciless demons.

British homeless advocate Masters crafts an unconventional biography of a man who raged not only at the dying of the light but often at the very light itself.

The first-time author worked on Stuart Shorter’s story for several years, experiencing the frustrations and occasional joys of a close association with someone caught in chaos. When Masters finished a first draft, he showed it to Stuart, who said it was boring and should be organized more like a thriller or detective novel that worked backwards through events until the discovery of the Truth. One of the charms of this book is that Stuart comments occasionally about the current draft, offering suggestions, sniffing derisively or dismissively about the text. “In biography, most of the time, the real person is a nuisance,” Masters sighs. Stuart was indeed a most difficult case. Sexually abused by a brother and babysitter, addicted to glue-sniffing as a teen (and, later, to just about every other substance), a continual runaway, a habitual jailbird, a sometimes violent denizen of the streets, a common and an uncommon criminal, he was somehow likable as well. Masters claims he was never afraid of Stuart, with whom he shared quarters and close contact. The author does work backwards, sort of, in this final version. He begins in the present and ends with Stuart’s very obscure early childhood. Masters also keeps us apprised of what’s going on at the moment and offers a running commentary on the progress of his writing—a sort of meta-biography. His research included studying books about homelessness and the psychology (or pathology) of the abused, examining court and school records and reading articles. When Stuart is killed by a train (accident rather than suicide, it seems), Masters knows that the Truth he has been pursuing will forever elude him.

Imaginative, piercing portrayal of a man shadowed by merciless demons.

Pub Date: June 6, 2006

ISBN: 0-385-34000-1

Page Count: 320

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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