The dénouement, which brings Mma Ramotswe face to face with evil, is the perfect climax to a tale as refreshing as a month...
A seventh bulging file of cases for Mma Precious Ramotswe and the No. 1 Ladies’ Detective Agency, most of them offering no hope of profit except to lucky readers.
Where to begin? Poppy Maope is certain that the senior cook at her college is stealing food for her husband, but when she confronts the thief, she’s threatened with losing her job. Neil Whitson, manager of the Mokolodi Game Preserve, senses widespread fear among workers who refuse to name its cause. Boitelo Mampodi, a qualified nurse, is worried because Dr. Eustace Lubega doesn’t want her to take his patients’ blood pressure. Mma Ramotswe’s assistant, Mma Grace Makutsi, may have scared off her fiancé, Mr. Phuti Radiphuti, by identifying herself as a feminist. And Mr. Polopetsi, the newest employee in the garage owned by Mma Ramotswe’s husband, Mr. J.L.B. Matekoni (In the Company of Cheerful Ladies, 2005), is exhausted by bicycling everywhere but has been denied an auto loan by his rich uncle. In Smith’s quietly penetrating manner, each of these problems leads to still further problems. Perhaps Mma Ramotswe should throw in the towel and consult the advice columnist Aunty Emang, who seems to be seriously poaching on her turf.
The dénouement, which brings Mma Ramotswe face to face with evil, is the perfect climax to a tale as refreshing as a month in the country—the country of Botswana.Pub Date: April 18, 2006
ISBN: 0-375-42272-2
Page Count: 240
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s getting to be a bigger blues band on Mosley’s stage, with Joe King Oliver now sitting in with Easy Rawlins and Leonid...
Mosley (Charcoal Joe, 2016, etc.) begins what looks to be a new series with a protagonist whose territory covers New York City’s outer boroughs—and, yes, that means Staten Island, too.
Joe King Oliver was an ace investigator with the NYPD until his roving eye helped him get framed for sexual assault. “Trouble ambushed me with my pants down and my nose open,” as he explains to an acquaintance. He is kicked off the force and thrown into Riker’s Island, where he faces the kind of demeaning and vicious attacks a jailed cop would expect from inmates until a stretch in solitary confinement and an abrupt release save his life. Eleven years later, King (as some of his friends call him) is making a living as a private eye based on Brooklyn’s Montague Street when his mundane existence is jolted by two events: a letter from a woman admitting she was coerced into setting him up years before and a case involving a radical black activist who’s been sentenced to death for killing two corrupt, abusive officers. King sees serendipity in the convergence of these two cases, believing that if he could exonerate the activist, it’d be a way of finally exorcising his rueful memories. His dual inquiries carry him from glittering Wall Street offices to seedy alleyways all over the city, and he encounters double-dealing lawyers, shady cops, drug addicts, hired killers, and prostitutes along the way. The only people King can count on are his loyal and precocious 17-year-old daughter, Aja-Denise, and an equally loyal but tightly wound career criminal named Melquarth “Mel” Frost, whose capacity for violence will remind Mosley devotees of Mouse, the homicidal thug who either helps or hinders Easy Rawlins in the author’s first and best-known series. Indeed, so many aspects of this novel are reminiscent of other Mosley books that it tempts one to wonder whether he’s stretching his resources a little thin. But ultimately it’s Mosley’s signature style—rough-hewn, rhythmic, and lyrical—that makes you ready and eager for whatever he’s serving up.
It’s getting to be a bigger blues band on Mosley’s stage, with Joe King Oliver now sitting in with Easy Rawlins and Leonid McGill. But as long as it sounds sweet and smoky, let the good times roll.Pub Date: Feb. 20, 2018
ISBN: 978-0-316-50964-0
Page Count: 336
Publisher: Mulholland Books/Little, Brown
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sluggish plot hemmed in by too much backstory and going-through-the-motions prose. Not Brown’s best.
Lukewarm thriller from bestselling Brown (Hello, Darkness, 2003, etc.).
Sayre Hoyle doesn’t believe her brother Danny committed suicide, and she’s returned home to prove it—but it seems nothing ever changes in Destiny, Louisiana. The small town looks the same as ever, and the same good old boys are sitting in the same vinyl booths at the same diner, conniving and backstabbing and telling lies. Too bad one of them just happens to be Sayre’s daddy, Huff Hoyle. A self-made rich man in a poor parish, he owns a smoke-belching iron foundry, a hellish place that at least provides employment for the beaten-down men of Destiny. If industrial accidents do happen in one of ’em now and then, well, that’s God’s will. Tough-talking Huff don’t want the government OSHA boys anywhere near his foundry, and that goes double for union organizers and other un-American busybodies. Sayre’s heard it all before—and still doesn’t trust either him or her creepy older brother, Chris, who took so much pleasure in tormenting her when they were young. And there’s Huff’s new right-hand man, lawyer Beck Merchant, to contend with. What exactly does Beck stand to gain by his involvement with Huff and cronies? If only he weren’t so good-looking and sexy. . . . Back to the story: Did Slap Watkins, jug-eared, degenerate scion of inbred bayou-dwellers, kill gentleman Danny in a fit of rage when Danny refused to hire Slap’s fellow parolees? Nah. Slap doesn’t have the brains or coordination to kill a June bug. Back to the subplot: Will the tyrannical Huff resort to violence when his ironworkers defy him and go out on strike? And back to the reason Sayre hates Huff: He forced her to have an abortion, performed by an incompetent doctor who tied her, screaming, to the table in his back room. And now for the reason Beck hates Huff . . . .
Sluggish plot hemmed in by too much backstory and going-through-the-motions prose. Not Brown’s best.Pub Date: Aug. 17, 2004
ISBN: 0-7432-4553-9
Page Count: 432
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2004
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