by Alexander Rose ‧ RELEASE DATE: April 28, 2020
An overlong but still worthy aviation history.
A history of the obsessive pioneers of flight.
Bestselling historian Rose (Men of War: The American Soldier in Combat at Bunker Hill, Gettysburg, and Iwo Jima, 2015) emphasizes that when the Wright brothers made the first heavier-than-air flight in 1903, airships had been carrying passengers since the Montgolfier brothers first launched their balloon in 1783. Until well into the 1930s, many entrepreneurs believed that dirigibles—spacious, quiet, capable of flying long distances—were the wave of the future compared with cramped, noisy, accident-prone propeller-driven craft. After a brief account of a successful 1936 flight of the Hindenburg, “the ultimate transoceanic cruiser” that would be destroyed in a spectacular crash just a year later, Rose rewinds the clock to 1863, when German Count Ferdinand von Zeppelin (1838-1917) first flew in a balloon and was inspired. After retirement, he devoted himself to building powered airships, immense craft lifted by flammable hydrogen (helium, much safer, was wildly expensive). He created the world’s first commercial airline in 1909. The difficulty of control in bad weather and the danger of hydrogen proved to be insoluble problems. Airships suffered a dismal safety record, although Zeppelin’s passenger airline, under his successor, led a charmed life until the Hindenburg disaster. Rose’s intriguing second subject does not appear until the author reaches the 1920s, when Juan Trippe (1889-1981) joined other businessmen investing in the first airlines. As the author shows, the competition in the U.S. was already cutthroat, but few airlines existed south of the border, and he began acquiring exclusive rights to fly to the Caribbean and later South America. Flush with profits—from airmail contracts; passengers came later—he persuaded Boeing to develop a flying boat capable of crossing the ocean. The resulting “clippers” became the epitome of glamorous air travel during the 1930s. By 1940, when the book ends, Trippe’s Pan American World Airways was the world’s largest international carrier, and the Zeppelin was history. Technical and business details dominate the narrative, but the primary story is often riveting.
An overlong but still worthy aviation history.Pub Date: April 28, 2020
ISBN: 978-0-8129-8997-7
Page Count: 608
Publisher: Random House
Review Posted Online: Dec. 25, 2019
Kirkus Reviews Issue: Feb. 1, 2020
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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