A risky, provocative novel with some exceptional writing.
An elderly German tells his grandson about his World War II experiences on the Eastern Front in this flawed but thoughtful work.
Hitler’s disastrous invasion of the Soviet Union led to the deaths of millions of soldiers and civilians. Starritt views the war through the eyes of elderly survivor Meissner, a German artillery soldier. His memories of those days, his thoughts about guilt and shame, have been reawakened by questions from his grandson, Callum, who grew up in Scotland but feels “an odd sensation of connectedness” to Germany and a shame that “has gathered, like a mulchy spot on an apple.” In a long letter to Callum occasionally interrupted by the younger man’s comments, Meissner says he wants to explain something about his war. “I can’t quite articulate it myself,” he says, but “it’s to do with courage.” In autumn 1944, after fighting and retreating in Russia and Ukraine, he's in Poland, near the German border. Meissner and four others get separated from their unit after being ordered to go looking for a rumored food depot. They see Polish villagers hung by unidentified men from a single tree “in bunches, like swollen plums.” They kill German soldiers guarding the food depot (the rumors were true) who refuse to share. When they later see other German troops rape and crucify women, Meissner wonders if it's in retaliation for his group's action against the food depot. They steal a tank and use it against the Russians. These episodes are well drawn; the brief time inside the tank is a small masterpiece. But it’s not entirely clear where courage comes in as Meissner’s theme despite a few brave actions. Elsewhere he struggles to define his views on the Holocaust. He stresses that he didn’t see the camps and doesn’t feel any collective guilt. “What I do feel, ineradicably, is shame.” That at least is clear, the legacy of shame. It hasn’t diminished for an old man many years after the war’s end, and it remains inescapable for his grandson born in the 1980s in a different country. Starritt himself shows courage in his approach to one facet of the war’s legacy and may offer solace to Germans like Callum who also suffer from their “connectedness” and to those close to them.
A risky, provocative novel with some exceptional writing.Pub Date: Sept. 1, 2020
ISBN: 978-0-31642-980-1
Page Count: 208
Publisher: Little, Brown
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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