by Arthur Schnitzler ; translated by Alexander Starritt ‧ RELEASE DATE: Aug. 8, 2017
In this elegant comedy edged with tragedy, an old poet's longing for the eponymous recognition, though mocked, is also...
Austrian writer Schnitzler (1862-1931; Desire and Delusion: Three Novellas, 2003, etc.) pokes fun at literary pretensions and ambitions in this short novella nearly lost in the Nazi book burning campaign of 1933 and published in the U.S. for the first time.
Eduard Saxberger, an elderly civil servant in Vienna, finds his poetry "rediscovered" by a group of young literary aspirants. Hailing him as Maestro and praising the single slim volume he published 30 years before, they welcome him to evening meetings at a local cafe. Saxberger, flattered, abandons the bourgeois acquaintances he now feels never really knew him in favor of young poets, a playwright, a frustrated novelist, a critic, and a "tragedienne" who flirts with him. Schnitzler paints a deft, playful, well-informed picture of the Viennese literary scene. Rereading his own work, Saxberger wonders "how the world could have passed so unheedingly over verses such as these." Naturally, the undiscovered geniuses of the Enthusiasm Society are insufficiently appreciated by the public. They hold the other patrons of the cafe in contempt for being successful. As the poet Meier explains, "Talentless...is what we generally call those who sit at different tables from us." The group decides to organize a "recital" in order to showcase their talent, and Saxberger agrees to write a new work for the occasion. His attempt to fulfill the part of the "venerable poet" and achieve recognition gives the book its dramatic tension. The night of the recital unfolds with convincing, and inevitable, melancholy. Each character is prey to his or her own egotism and insecurity. Saxberger imagines an "intoxicating, deafening success." Instead, mingled with the polite applause, he hears a pitying remark that brings tears of enraged hurt to his eyes, which the others misinterpret as proof of an excess of feeling. In the end, Saxberger goes back to his old life with the sense that he is "returning from a short, troublesome journey to a home that he had never loved."
In this elegant comedy edged with tragedy, an old poet's longing for the eponymous recognition, though mocked, is also understood.Pub Date: Aug. 8, 2017
ISBN: 978-1-68137-084-2
Page Count: 136
Publisher: New York Review Books
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
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BOOK REVIEW
by Arthur Schnitzler & translated by Margret Schaefer
BOOK REVIEW
by Arthur Schnitzler & translated by Margret Schaefer
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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