Even so, Stille is an exemplary reporter, and he offers here just the thing to add to a history buff’s stack of bedside...
On deteriorating masterpieces, disintegrating temples, declining Latin, and other markers of the race to save history from humanity.
“Our society is in the midst of a fundamental rupture with the past,” writes New Yorker contributor Stille (Excellent Cadavers, 1995, etc.). This break, he adds, isn’t a result just of the historical amnesia born of a television age but is also a result of disappearing antiquities themselves: our knowledge of the past, of earlier peoples, and even of nature increases exponentially while the objects of study themselves are disappearing, whether to the tomb, the robber’s shovel, or Taliban cannons. Stille’s 11 pieces here, most previously published in the New Yorker, address this loss while looking at varied attempts by individuals (and by a few organizations) to reverse it. The author writes, for example, about American primatologist Patricia Wright, who, “great at politicking,” all but single-handedly created Madagascar’s Ranomafana National Park, a preserve for lemurs and other endangered species; about University of Chicago scholar Mark Lehner, who is laboring against all odds to prevent further destruction of Egypt’s Giza pyramid complex; and, most entertaining of all, about the American expatriate priest Reginald Foster, who has launched a highly influential if idiosyncratic movement to restore Latin to the status of a living language. Individually, the pieces are pleasures, bearing all the hallmarks of New Yorker–style comprehensive yet accessible approach to the weightiest of matters. But they’re not equally successful at adding up to a sustained argument, a weakness revealed clearly in the ill-advised concluding chapter, which attempts to tie it all together with a string of truisms about the deleterious effects of modern habits on things and ways of the past.
Even so, Stille is an exemplary reporter, and he offers here just the thing to add to a history buff’s stack of bedside reading.Pub Date: April 1, 2001
ISBN: 0-374-15977-7
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2002
A unique, inspiring story by a member of the Greatest Generation.
A firsthand account of how the Navajo language was used to help defeat the Japanese in World War II.
At the age of 17, Nez (an English name assigned to him in kindergarten) volunteered for the Marines just months after the bombing of Pearl Harbor. Growing up in a traditional Navajo community, he became fluent in English, his second language, in government-run boarding schools. The author writes that he wanted to serve his country and explore “the possibilities and opportunities offered out there in the larger world.” Because he was bilingual, he was one of the original 29 “code talkers” selected to develop a secret, unbreakable code based on the Navajo language, which was to be used for battlefield military communications on the Pacific front. Because the Navajo language is tonal and unwritten, it is extremely difficult for a non-native speaker to learn. The code created an alphabet based on English words such as ant for “A,” which were then translated into its Navajo equivalent. On the battlefield, Navajo code talkers would use voice transmissions over the radio, spoken in Navajo to convey secret information. Nez writes movingly about the hard-fought battles waged by the Marines to recapture Guadalcanal, Iwo Jima and others, in which he and his fellow code talkers played a crucial role. He situates his wartime experiences in the context of his life before the war, growing up on a sheep farm, and after when he worked for the VA and raised a family in New Mexico. Although he had hoped to make his family proud of his wartime role, until 1968 the code was classified and he was sworn to silence. He sums up his life “as better than he could ever have expected,” and looks back with pride on the part he played in “a new, triumphant oral and written [Navajo] tradition,” his culture's contribution to victory.
A unique, inspiring story by a member of the Greatest Generation.Pub Date: Sept. 6, 2011
ISBN: 978-0-425-24423-4
Page Count: 320
Publisher: Dutton Caliber
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
A zesty, energetic history, not only of a building, but of more than a century of American culture.
A revealing biography of the fabled Manhattan hotel, in which generations of artists and writers found a haven.
Turn-of-the century New York did not lack either hotels or apartment buildings, writes Tippins (February House: The Story of W. H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, Under One Roof In Wartime America, 2005). But the Chelsea Hotel, from its very inception, was different. Architect Philip Hubert intended the elegantly designed Chelsea Association Building to reflect the utopian ideals of Charles Fourier, offering every amenity conducive to cooperative living: public spaces and gardens, a dining room, artists’ studios, and 80 apartments suitable for an economically diverse population of single workers, young couples, small families and wealthy residents who otherwise might choose to live in a private brownstone. Hubert especially wanted to attract creative types and made sure the building’s walls were extra thick so that each apartment was quiet enough for concentration. William Dean Howells, Edgar Lee Masters and artist John Sloan were early residents. Their friends (Mark Twain, for one) greeted one another in eight-foot-wide hallways intended for conversations. In its early years, the Chelsea quickly became legendary. By the 1930s, though, financial straits resulted in a “down-at-heel, bohemian atmosphere.” Later, with hard-drinking residents like Dylan Thomas and Brendan Behan, the ambience could be raucous. Arthur Miller scorned his free-wheeling, drug-taking, boozy neighbors, admitting, though, that the “great advantage” to living there “was that no one gave a damn what anyone else chose to do sexually.” No one passed judgment on creativity, either. But the art was not what made the Chelsea famous; its residents did. Allen Ginsberg, Bob Dylan, Andy Warhol, Janis Joplin, Leonard Cohen, Robert Mapplethorpe, Phil Ochs and Sid Vicious are only a few of the figures populating this entertaining book.
A zesty, energetic history, not only of a building, but of more than a century of American culture.Pub Date: Dec. 3, 2013
ISBN: 978-0-618-72634-9
Page Count: 448
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 18, 2013
Kirkus Reviews Issue: Oct. 1, 2013
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