by Alexandra Petri ‧ RELEASE DATE: April 11, 2023
A sporadically humorous take on the American past, which is all too seldom a laughing matter.
Washington Post humor writer Petri attempts a funny spin on history.
The author opens by channeling the previous occupant of the White House, proclaiming that since history is written by the winners, she, though “not a historian, or a scholar” is now “something much more important: a winner.” She continues with a series of imagined, counterfactual episodes—e.g., an Indigenous person objecting to the terms of the so-called Columbian exchange, displeased about providing potatoes on one hand in exchange for disease on the other (“Typhus took generations to perfect,” the European says); or a New Yorker who misreads the words Erie Canal as an instigation for a more vigorous horror literature of the sort that Edgar Allan Poe will soon be cranking out. Some of the pieces work: Petri does a nice job mangling F. Scott Fitzgerald’s Great Gatsby by inserting Hemingway-esque declarations into its famous closing, and she effectively dumbs down Ray Bradbury’s Fahrenheit 451, which probably didn’t need the simplification, to have Guy Montag explain that what makes a book dangerous is the ideas it contains (“It’s, like, a metaphor”). Also entertaining: an exchange in which Frank Lloyd Wright defends his leaky, short roofs by explaining that they’re keyed to his height, which is “the perfect height for a human being”; and Rodgers and Hammerstein arguing over whether, having put an exclamation point on Oklahoma! their other works might benefit from the same treatment (re: South Pacific, “It’s a geographical location. It doesn’t need pizzazz”). Petri’s disquisitions on the shooting of John Lennon, a drugless Fear and Loathing in Las Vegas, and the U.S. presidents in Ragnarok are duds. Much of the book, studded with fun moments, lacks the sustained wit and goofiness of the British humor classic 1066 and All That.
A sporadically humorous take on the American past, which is all too seldom a laughing matter.Pub Date: April 11, 2023
ISBN: 9781324006435
Page Count: 356
Publisher: Norton
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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