An essential companion to the ongoing reissue campaign, courtesy of the New York Review of Books, of Grossman’s work in...
Comprehensive biography of the great Soviet war correspondent, novelist, and dissident.
As a young man, Vasily Grossman (1905-1964) ignored advice to change his patronymic from Solomonovich to Semyonovich, embracing his Jewish heritage in a time of pogroms. He was skeptical about the Bolshevik Revolution, writing in his novel Everything Flows, “in February 1917, the path of freedom lay open for Russia. Russia chose Lenin.” Yet, as Moscow-born journalist and historian Popoff (Tolstoy’s False Disciple: The Untold Story of Leo Tolstoy and Vladimir Chertkov, 2014, etc.) writes, Grossman weathered tuberculosis and unsatisfying work as a chemist (not in that alone does he resemble the Italian writer Primo Levi) to embark on a literary career. An early novel presaged themes he would follow in later works, namely the sameness of different totalitarian systems; the similarities between Stalin’s and Hitler’s regimes would emerge in several of his pieces, which did not endear him to the authorities. He traveled with units of the Red Army throughout World War II as a war correspondent, getting into the thick of Stalingrad, Kursk, and, later, Berlin, providing some of the best reportage on any theater of the war: “The dead sleep on the hills,” he wrote of Stalingrad, “near the ruins of factory workshops, in gullies and ravines; they sleep in places where they fought….Sacred land!” His novel Life and Fate, which preoccupied him for years, captured those experiences while repeating his mistrust of totalitarianism. Amazingly, he was not executed, but he constantly ran afoul of Soviet authorities and often endured their “administrative violence.” As Popoff notes in closing, Grossman remains little known in Russia today, in part because of historical amnesia and in part because Vladimir Putin, “who is striving to re-create the Soviet police state," does not brook criticism of Stalin or any equation of Stalinism and Hitlerism.
An essential companion to the ongoing reissue campaign, courtesy of the New York Review of Books, of Grossman’s work in English and of interest to students of literature, journalism, and history alike.Pub Date: March 26, 2019
ISBN: 978-0-300-22278-4
Page Count: 424
Publisher: Yale Univ.
Review Posted Online: Feb. 23, 2019
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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