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JACOB RIIS'S CAMERA

BRINGING LIGHT TO TENEMENT CHILDREN

A thoughtful, well-researched homage to an almost forgotten hero.

Words alone could not provoke change in the terrible plight of tenement dwellers in late-19th-century New York City.

In 1870, Danish-born Jacob Riis immigrated to the United States, where, after years of struggle, he eventually became a newspaperman. In his own life and in his work, he witnessed the horrendous living conditions of New York City’s poorest immigrants. It became the impetus for his lifelong crusade. One of the worst areas was Mulberry Bend, with filthy, overcrowded, airless tenements. He wrote many articles describing what he saw, but nothing changed. Then he took photographs and gave lectures accompanied by life-size reproductions of those photos to any group that would listen. His 1890 book, How the Other Half Lives, inspired others, including Theodore Roosevelt, to finally begin to address the issues. Among other improvements, the worst slums of Mulberry Bend were cleared to create a park, giving people a place to breathe and play. But where did the inhabitants go? O’Neill clearly admires Riis and presents his biography in clear, direct language that conveys the facts of his life along with the essence of his nature. Kelley’s ink-and-pastel illustrations in muted tones capture the gray dreariness of the scenes as well as dark shadows of interpretations of the photos. Backmatter includes detailed information of every aspect of Riis’ life and work, including several of Riis’ photos and quotes.

A thoughtful, well-researched homage to an almost forgotten hero. (author’s note, glossary, timeline, sources) (Picture book/biography. 7-10)

Pub Date: March 18, 2020

ISBN: 978-1-62979-866-0

Page Count: 48

Publisher: Calkins Creek/Boyds Mills

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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HOWARD AND THE MUMMY

HOWARD CARTER AND THE SEARCH FOR KING TUT'S TOMB

An engaging and informative true story of perseverance and discovery.

Fern and Kulikov, collaborators on the picture-book biographies Barnum’s Bones (2012) and W is for Webster (2015), bring the self-taught archaeologist who discovered King Tut’s tomb to life.

Howard Carter’s obsession with mummies began when he was a boy in England and visited a nearby mansion filled with ancient Egyptian artifacts. Carter dreamed of discovering a mummy himself. At 17, he took a job copying ancient art for the Egypt Exploration Fund. Awed by the art and architecture he sketched and copied, Carter was eager to make discoveries of his own. He taught himself the methodologies of archaeology, Arabic, geology, Egyptian history, and how to read hieroglyphics. As an antiquities inspector for the Egyptian government, Carter excavated several tombs only to find they had been looted. Undaunted, Carter devised a plan to excavate every unsearched inch in the Valley of the Kings. His dogged persistence paid off in 1922 when he discovered the treasure-filled tomb of Tutankhamun. Quoting from Carter’s own account, Fern infuses her story with excitement. She describes Carter as having a “funky personality” with a “stubborn attitude and worse table manners”; Kulikov’s exaggerated illustrations energetically capture Carter’s ambition and fascination with his subject.

An engaging and informative true story of perseverance and discovery. (author’s note, bibliography) (Picture book/biography. 7-9)

Pub Date: Aug. 7, 2018

ISBN: 978-0-374-30305-1

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: June 1, 2018

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THE WRIGHT BROTHERS

NOSE-DIVING INTO HISTORY

From the Epic Fails series , Vol. 1

It may not be epic, but this is certainly one launch that fails to get off the ground.

If at first you don’t succeed, try and try and try and try.

In a series launch bent on showing how failure may be instructive, Thompson and Slader turn the story of the Wright Brothers into an amusing, bite-sized history lesson. History’s early flight fiascos and successes are recounted, culminating in Orville and Wilbur Wright’s. Over the years they would experiment, fail, learn from their mistakes, tinker, fail, and tenaciously pursue their dreams until they succeeded. Alas, troubles dog this well-intentioned series opener. An early statement that “It would seem that before man would learn to fly, he’d have to learn how to fall” prefaces a book that ignores the contributions (and failures) of such early women aeronauts as Sophie Blanchard. In a section on ballooning, a statement that the novel Around the World in Eighty Days was “about circling the globe in a hot air balloon” is incorrect (no ballooning occurs in that book). Attempts to appeal to child readers today yield awkward sentences that describe the brothers as “steampunk hipsters at Comic-Con” wrestling with the controls of the plane “like trying to play a multiplayer computer game with a really bad Internet connection.” Artist Foley renders the text accessible with his lively pen-and-ink drawings, but they are too little, too late.

It may not be epic, but this is certainly one launch that fails to get off the ground. (Nonfiction. 8-10)

Pub Date: July 10, 2018

ISBN: 978-1-250-15055-4

Page Count: 128

Publisher: Flash Point/Roaring Brook

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: June 1, 2018

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