A diverse collection of rich and eloquent tales.
These short stories of awkward relationships and crossed destinies take readers to such unusual locations as post-Soviet Russia, the Juilliard School campus, and a state-of-the-art penitentiary.
DePew’s (The Melancholy of Departure, 2013, etc.) collection takes its name from a song in Kurt Weill and Bertolt Brecht’s The Threepenny Opera, which features prominently in the title story. In it, a theater company ventures into Russia shortly after the fall of communism, and they must contend with the shaky environment and its foreboding politics. At the story’s center, Arthur and Irene are close friends and confidants, but their inexplicably platonic relationship becomes strained as uncertainties mount. As they try to explain their artsy gibberish to the cynical Russians they meet, the Western thespians echo the stories’ major motif of artists in crisis. In each of the narratives, a creative professional attempts to reconcile artistic endeavors with the confusion of ordinary life. In “Blind,” Jacob and Miranda are musicians who can’t get their marriage to harmonize; Jacob is too stiff and literal to keep Miranda’s attention, so she prefers the company of a dramatic gossip named Frank. Each story happens in a unique place and time, and the characters endure a variety of burdens, but in each, their desire to be artists is hindered by painful contact with other people. The protagonist of “La Casita,” for example, is a painter who declares, “I have to confess that I’ve sacrificed the sacraments for pigment and linseed oil and scratching away at a surface all day.” The sentiment is beautiful—but then he adds: “And for this I’ve been sent a particular torture: postmodernism.” DePew’s patiently told and beautifully crafted stories are lengthy; three are so long they might be classified as novellas. However, that fact gives the author the space he needs to build two worlds—the artists’ inner lives and the daily existences they struggle with. Overall, they reveal both the turmoil of creativity and the meandering beauty of ordinary human interaction.
A diverse collection of rich and eloquent tales.Pub Date: Nov. 15, 2014
ISBN: 978-0990768005
Page Count: 248
Publisher: Mixed Messages Press
Review Posted Online: March 23, 2015
Kirkus Reviews Issue: May 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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