Cuts through the murk and blarney to suggestively analyze a curious figure. (31 illustrations, 3 maps)

MASQUERADE

THE LIFE AND TIMES OF DEBORAH SAMPSON, CONTINENTAL SOLDIER

Sensible portrait of Deborah Sampson, a.k.a. Robert Shurtliff, soldier in the American Revolution.

Sampson wasn’t the first woman to try to pass as a man to gain entry into the Continental Army, but she was the most successful, writes Young (History Emeritus/Northern Illinois Univ.; The Shoemaker and the Tea Party, not reviewed). Not only did she serve for an impressive 17 months, but she was neither thrown in jail nor drummed out of town to the tune of the “whore’s march.” (This, Young suggests, may have been because she wasn’t looking for a husband and had been wounded in battle.) But what was she doing masquerading as a soldier? The author turns for enlightenment to a memoir Sampson wrote with the florid aid of Herman Mann, deciphering what he can of the true story from Mann’s obvious and not-so-obvious embellishments. Young comes at the memoir from an angle, looking for slender clues, details, and corroboration, trying to match them up against other oral histories. His tone is humble, knowing full well he is on sketchy ground, but the toeholds he finds for his ideas are solid. These range from the spirit of disguise that was loose on the land (remember the Boston Tea Party?) to the plebian tradition of warrior women, from the scant prospects of a former indentured servant to Sampson’s defiant, rebellious nature. She was that “ultimate threat: a woman ‘who wore the breeches.’ ” All of this comes out as Young charts Sampson’s early life, her years of notoriety, and her demands for veterans’ pension, pointing to the paradox of this iconoclast flirting with conformity within her nonconformity. Sampson was a model soldier, she married, she even apologized.

Cuts through the murk and blarney to suggestively analyze a curious figure. (31 illustrations, 3 maps)

Pub Date: Feb. 19, 2004

ISBN: 0-679-44165-4

Page Count: 416

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 15, 2003

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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