Although the plot occasionally takes banal turns, character voices, as rendered by Dollenmayer’s unassuming translation,...
An octogenarian reflects ruefully on his beloved daughter’s death and wonders if he could have prevented it, in German media magnate DuMont’s debut novel.
Albert, a self-described “old man,” is battling Parkinsonian tremors and weakness. He and his wife Ann live a quiet existence in a suburb of an unnamed German city. Sporadically cheered by his successful though somewhat obtuse son Anton, and three grandchildren, Albert is still mostly mired in grief over his daughter Gloria’s drowning death in the Caribbean two years before. Gloria had gone scuba diving with her diving-instructor lover and her best friend Christie and swam away from them into the depths—her body was never recovered. Christie, a young doctor just returned from her humanitarian work in Africa, is bent on reviewing the incident with Albert. Since Ann has departed for the bedside of her dying sister, Albert is free to go with Christie on a road trip to her adoptive mother Lena’s country cottage. There, Christie reads to the elders from her journal. Albert is forced to relive Gloria’s worsening depression, which began in adolescence and resisted all psychiatric intervention including hospitalization. Lena must confront her own dark memories: a puritanical husband and her struggles to adopt Christie over his objections. Just when widowhood promised freedom, Christie’s grifter birth parents surfaced with blackmail threats, and teenage Christie deserted her mother for Albert and Ann’s more stable-appearing home. Although up to now only superficially acquainted, Albert and Lena, thrust together, manage to prove that sparks can still fly at their age. Meanwhile, the death of Ann’s younger sister, who never married and lived only for glamour and grand passion, has taught Ann the meaning of existing in the moment. Will Albert recover from his grief, especially since a guilty secret is bound up in it?
Although the plot occasionally takes banal turns, character voices, as rendered by Dollenmayer’s unassuming translation, lend meditative gravitas to the melodrama.Pub Date: Dec. 1, 2010
ISBN: 978-0-312-64798-8
Page Count: 224
Publisher: St. Martin's
Review Posted Online: Oct. 7, 2010
Kirkus Reviews Issue: Nov. 1, 2010
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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