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STATES OF PLAGUE

READING ALBERT CAMUS IN A PANDEMIC

A reflective set of short essays that will appeal to Camus fans and literary scholars.

Through the work of Camus, two scholars present “a guide to…moments where the written and the real collide.”

In this mélange of history, literary analysis, and memoir, the authors explore the intersection between a celebrated novel, current realities, scholarship, language, and the tricks that time and circumstance play on all of them. Seasoned literary historian Kaplan and poet and translator Marris, whose new translation of The Plague was published in 2021, team up to cultivate a deeper understanding of Camus’ classic novel. In alternating short essays, they braid together their distinct sensibilities to offer fresh insight and added significance to a canonical mid-20th-century book. They examine the process of seeking out new evidence and making a new English translation of an accepted masterpiece amid a plague reminiscent of the one in Camus’ novel. Enlarging the significance of a work long understood only as an allegory for Nazi occupation, Kaplan and Marris cast it as a more encompassing parable about all kinds of plagues, political as well as viral, and how people, they included, confront them. They also unearth interesting information about the novel’s Algerian setting and, in keeping with Kaplan’s previous studies of 20th-century French fiction and writers, about its conceptualization and realization. Throughout, the authors offer deft textual analyses of all aspects of The Plague, and Marris lets us in on the challenges a translator faces, many of them extending beyond the texts they struggle with to the places where they were written and where their stories take place. Some of the alternating short chapters don’t sit easily with each other, and others possess a touch of idolatry in their approach to Camus. Nevertheless, this is a notable addition to the literature about an indispensable French author.

A reflective set of short essays that will appeal to Camus fans and literary scholars.

Pub Date: Oct. 6, 2022

ISBN: 978-0-226-81553-4

Page Count: 152

Publisher: Univ. of Chicago

Review Posted Online: July 25, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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CARSON THE MAGNIFICENT

A fun if overly flamboyant appreciation of a TV giant.

A biography of American late-night television’s biggest star.

Zehme, author of biographies of Frank Sinatra and Hugh Hefner, had a lifelong love of Tonight Show host Johnny Carson. In 1973, at age 15, Zehme was “already a full-blown Carson fanboy.” As a reporter for Rolling Stone, he tried unsuccessfully to secure an interview to coincide with Carson’s 1992 retirement after a 30-year run. In 2002, Zehme, now with Esquire, “gets extended face time” with the star for a piece to mark 10 years since Carson’s departure. Shortly after Carson’s death in 2005, Zehme began work on a biography. The task was overwhelming—“there was always more to be gleaned”—even before Zehme’s 2013 diagnosis of stage 4 colorectal cancer. He died in 2023, having finished only the first three-quarters of this biography. Thomas, a longtime Chicago arts reporter, has completed the book in time for Carson’s 2025 centenary. The result is an admiring work that nonetheless acknowledges the lows as well as the highs of Carson’s life—he had three divorces—and career, from his ill-fated 1955 variety program The Johnny Carson Show, to his 1957-62 stint as host of the ABC game show Who Do You Trust?, to his taking over The Tonight Show from Jack Paar in 1962. It’s easy to tell where Zehme left off and Thomas took over. The tone changes dramatically, from Zehme’s florid style to Thomas’s drier approach. Those florid passages, which make up most of the book, are baroque in the extreme, with lines like, “And so, like sun and moon and oxygen and ionosphere, Johnny Carson was always there, reliable and steadfast.” Despite the purple prose, the result is an entertaining look at not only a unique figure in 20th-century popular culture but also a bygone era in American television.

A fun if overly flamboyant appreciation of a TV giant.

Pub Date: Nov. 5, 2024

ISBN: 9781451645279

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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