Bracingly serious but without pretension, Mattison’s voice is like that of no one else writing today: the demands she makes...
A rigorous novel about a woman whose profession speaks volumes about her own inner life.
Again, Mattison (The Book Borrower, 1999, etc.) explores difficult moral and emotional dilemmas without resorting to easy resolutions. Here, 50-ish Daisy makes her living organizing other people’s clutter, but after years of independent and very sexually active singlehood, she’s recently added some complications to her own existence by marrying Pikko, a 60-ish landlord and apartment complex manager in New Haven with a vaguely mysterious past. Daisy is a bundle of contradictions: judgmental about herself as well as others, she nonetheless gathers around her an odd assortment of misfits; although deeply private, she occasionally hosts radio shows and organizes public meetings. While cleaning up his files, she becomes professionally and sexually involved with a Yale researcher named Gordon, who shows her the funny newspaper headline that titles the novel and becomes the subject of a play put on by an eccentric community theater group with which Daisy has also become involved. Pikko and Gordon, previously acquainted, share a mutual dislike highlighting their different approaches to life. Gordon prides himself on his lack of imagination, while Pikko lives by a strict set of values based on seeing beyond the surface facts. Daisy, who has trouble differentiating among independence, privacy, and secrecy, begins her affair with Gordon assuming it will not affect her marriage, but his cut-and-dried, logical approach to life (and to her) undermines her confidence. As she falls more and more under Gordon’s sway, Daisy shares a secret of Pikko’s with her lover without considering the serious consequences. Her moral certainty shaken, she finally gains emotional clarity. Prickly, complicated characters field a plot that includes an unsolved murder and sexual intrigue—but defies straightforward synopsis: it revolves around ways of viewing experience as much as the experience itself.
Bracingly serious but without pretension, Mattison’s voice is like that of no one else writing today: the demands she makes of her readers are difficult but exhilarating.Pub Date: Aug. 10, 2004
ISBN: 0-06-621378-9
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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