Bracingly serious but without pretension, Mattison’s voice is like that of no one else writing today: the demands she makes...
A rigorous novel about a woman whose profession speaks volumes about her own inner life.
Again, Mattison (The Book Borrower, 1999, etc.) explores difficult moral and emotional dilemmas without resorting to easy resolutions. Here, 50-ish Daisy makes her living organizing other people’s clutter, but after years of independent and very sexually active singlehood, she’s recently added some complications to her own existence by marrying Pikko, a 60-ish landlord and apartment complex manager in New Haven with a vaguely mysterious past. Daisy is a bundle of contradictions: judgmental about herself as well as others, she nonetheless gathers around her an odd assortment of misfits; although deeply private, she occasionally hosts radio shows and organizes public meetings. While cleaning up his files, she becomes professionally and sexually involved with a Yale researcher named Gordon, who shows her the funny newspaper headline that titles the novel and becomes the subject of a play put on by an eccentric community theater group with which Daisy has also become involved. Pikko and Gordon, previously acquainted, share a mutual dislike highlighting their different approaches to life. Gordon prides himself on his lack of imagination, while Pikko lives by a strict set of values based on seeing beyond the surface facts. Daisy, who has trouble differentiating among independence, privacy, and secrecy, begins her affair with Gordon assuming it will not affect her marriage, but his cut-and-dried, logical approach to life (and to her) undermines her confidence. As she falls more and more under Gordon’s sway, Daisy shares a secret of Pikko’s with her lover without considering the serious consequences. Her moral certainty shaken, she finally gains emotional clarity. Prickly, complicated characters field a plot that includes an unsolved murder and sexual intrigue—but defies straightforward synopsis: it revolves around ways of viewing experience as much as the experience itself.
Bracingly serious but without pretension, Mattison’s voice is like that of no one else writing today: the demands she makes of her readers are difficult but exhilarating.Pub Date: Aug. 10, 2004
ISBN: 0-06-621378-9
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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