AT WEDDINGS AND WAKES

Following the author's splendid That Night (1987), this remarkable novel—about the temper and times of an Irish-American family in 1950's Long Island and Brooklyn—firmly establishes McDermott as a writer of major talent. Like Anglo-Irish novelist William Trevor, McDermott plots the touching dignity of ordinary lives pursued on the crest of inevitable sadness. Outside the wedding hall awaits the summons to the wake. Three school-age Dailey children—earnestly watching, like young animals training for survival in the snug safety of adult regimens—dutifully follow their mother Lucy on the summer treks from Long Island to Brooklyn—from the bus stop where Lucy is aware of her ``stunned hopelessness'' to the exciting trip through the subway cars and Lucy's leap, with the children, across the ``loud and dark and precarious distance'' of the coupled cars, toward home and her native Brooklyn. In the apartment (dark with boredom, tears, and doughty courage) are the aunts, Lucy's sisters: one defeated, one defiantly managing, and then May, simply loving. And there's also ``Momma,'' who emigrated from an Irish farm of mud and dirt, tended a dying sister and her four girls, married her sister's husband, and bore her own son, who now pays a (sober) ceremonial visit to his mother once a year at Christmas. Momma's anger has taken on fate. There are endless afternoons—the heavy meal, the cocktail hour, the quarrel time, weeping, and closed doors. But the ``merry fog'' of Christmas transforms the apartment, families, and life. For the Daileys there are the shore vacations for two weeks each year, when there is no past, with its ghosts and old hurts, but only a tender present. Then there's the wonderful day when May, the middle-aged ex-nun, is married—days before the fateful tap at the door of the seaside cottage. In translucent prose with rich recognitions, a fine novel of vigorous wisdom and heartbreaking humanity.

Pub Date: April 1, 1992

ISBN: 0-374-10674-6

Page Count: 208

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1992

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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MAYBE SOMEDAY

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 6, 2014

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