Sentimentality and a lack of original material prevent this novel from coming to life.

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BESS AND FRIMA

A pair of best friends yearns for love and a larger life. 

Two young women: one blonde, one brunette; one conventional, one rebellious. Both Jewish; both employed in the Catskills for the summer tourist season. Both 19. Rosenthal’s (Take the D Train, 2012) new novel is set in 1940 and concerns a pair of Bronx-raised best friends. Frima spends the summer working at her mother’s resort; Bess works at another hotel not far away. Frima falls in love with Bess’ handsome brother, Jack, also employed by her mother that summer. Bess strays a bit afield: She catches the eye of Vinny, an Italian labor organizer. Her brother disapproves, but by the end of the summer, Bess has made some radical plans—to move away from home and, even more shocking, move in with Vinny. In alternating chapters, the novel tells the story from both girls’ points of view. That structure doesn’t quite work: It feels a little too on-the-one-hand-and-on-the-other, especially since the characters are set up to be opposites. Worse is the air of sentimentality that pervades the book, overwhelming brief attempts at humor. Rosenthal’s prose is adequate and her subject matter not uninteresting, but the story feels utterly conventional. This terrain is already well-traversed. Her characters never come fully to life as themselves—only as two-dimensional foils for each other. The dialogue doesn’t convince; nor do the characters’ various motivations. We’re told that Bess, for example, longs to leave home because her parents make her miserable. But we’re never shown why or how they do so. Unconvincing in these smaller details, the novel remains unconvincing as a whole.

Sentimentality and a lack of original material prevent this novel from coming to life.

Pub Date: Aug. 21, 2018

ISBN: 978-1-63152-439-4

Page Count: 300

Publisher: She Writes Press

Review Posted Online: May 29, 2018

Kirkus Reviews Issue: June 15, 2018

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

CILKA'S JOURNEY

In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years’ hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special “privileges”; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka’s grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka’s sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka’s stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-26570-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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