Sebold may have her finger on the pulse of a certain middle-aged zeitgeist here, but her navel-gazing central character is...

THE ALMOST MOON

Sebold (The Lovely Bones, 2002, etc.) once again navigates dark territory, this time the inner landscape of a middle-aged woman who impulsively kills her aged mother.

Since her divorce years earlier, 49-year-old Helen, the mother of two grown daughters, has lived in the Pennsylvania town where she grew up. She works as an artist’s model at the local college but mostly takes care of her mother Claire. One evening, undone by frustration at 88-year-old Claire’s increasing incapacitation and dementia, Helen suffers a momentary lapse of reason and suffocates the old woman in the house Claire has not left for years. Helen has been equally trapped, both hating and loving her mother to the detriment of everything else in her life. Now Helen hides Claire’s body in the basement freezer and calls her ex-husband Jake. Although they have not seen each other in years, he immediately hops a plane from California to help her through the crisis. Meanwhile, for reasons that never quite wash, Helen has sex with the 30-year-old son of her best friend. Soon after Jake arrives, he acknowledges that he never wanted their divorce. Then the police find Claire’s body and begin asking questions. The novel follows Helen’s inner turmoil as she confronts what she has done and relives her past—particularly her terrible childhood: As a mother, Claire could be charming but was increasingly mentally ill, and Helen’s gentle, loving father made Claire largely Helen’s responsibility from an early age while he escaped to his secret haven. Helen now plans her own escape. She steals a gun to commit suicide, as her father did. But realizing that she has enjoyed the love of good men and wonderful children, Helen has a change of heart and waits to face her fate.

Sebold may have her finger on the pulse of a certain middle-aged zeitgeist here, but her navel-gazing central character is more tedious than tragic.

Pub Date: Oct. 16, 2007

ISBN: 978-0-316-67746-2

Page Count: 304

Publisher: Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2007

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A deeply satisfying novel, both sensuously vivid and remarkably poignant.

THE UNSEEN

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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