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MRS. WOOLF AND THE SERVANTS

AN INTIMATE HISTORY OF DOMESTIC LIFE IN BLOOMSBURY

An essential addition to the alpine pile of books about Woolf.

The largely untold stories of the live-in servants who eased, enriched, complicated and frustrated the domestic tranquility of Virginia Woolf and others in her circle.

Light (History/Univ. of East London; Forever England: Femininity, Literature and Conservatism Between the Wars, 1991, etc.) brings all her scholarly skills and imagination to bear on the task of illuminating the lives of people whom history has often ignored. (See also: Ruth Brandon’s Governess, 2008.) Reading Woolf’s diaries and letters, the author was surprised by the emotional, often negative energy the novelist invested in her servants. This sent Light back into the fiction—she spends some time discussing the roles of servants in Woolf’s novels—and into family and public records, where she discovered a surprising amount of material on the people who served the writer from cradle to grave. Growing up in the cosseted class, sisters Virginia and Vanessa Stephens could neither cook nor clean nor do much of anything for themselves until war and marriage altered their circumstances. The author focuses on several individuals, among them Sophie Farrell, who worked for the family for a half-century, and Nellie Boxall, whose contentious choreography with Virginia enlivens much of the text. When Woolf finally dismissed her, Nellie landed in the household of notable English actors Charles Laughton and Elsa Lanchester. Although Light is most interested in humanizing the servants, she also offers heavy but digestible sections of social history and literary criticism. We learn about the rise and fall of domestic service, and the author contrasts Woolf’s liberalism in her fiction with her class-consciousness in her kitchen. Light also savages the caricatures of the Woolf servants in the 2003 film The Hours. Only the cliché-ridden prose (“in the same boat,” “stuck to her guns”) slightly mars this groundbreaking work of scholarship.

An essential addition to the alpine pile of books about Woolf.

Pub Date: Sept. 1, 2008

ISBN: 978-1-59691-560-2

Page Count: 400

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2008

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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