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THE LAST RESORT

Beach reading with brains and bite from Pulitzer Prize-winning novelist of manners Lurie (Foreign Affairs, 1984; Women and Ghosts, 1994, etc.). For 25 years, Jenny Walker has been a contented helpmeet to her famous husband Wilkie. She has done the research, typed drafts, and corrected the grammar for the nature books that have made his reputation, and she’s dealt with the mundane details of everyday life she considers him too important to bother with. Now, at 46, she finds her 71-year-old spouse distracted, remote, uninterested even in his work in progress. Wilkie, we learn, thinks he has cancer and considers himself a has-been: What will his helpless wife do when he’s gone? Before that’s a problem, Jenny, with her customary tact, suggests a sojourn in Key West, presenting it as a way for her to get away from the New England winter rather than as a respite for Wilkie. In the steamy, unfettered atmosphere of America’s last resort, she makes friends with a crew of free spirits—most notably HIV-positive gardener Jacko and lesbian proprietor of a women-only guesthouse Lee—while Wilkie’s plots his suicide and is stymied in three mordantly comic episodes. The plot thickens with Jenny’s increasingly warm feelings for Lee and with the arrivals of Jacko’s downtrodden cousin Barbie and her overbearing, right-wing Republican mother Myra. As usual, Lurie observes with precision and humor everything from the economics of retirement homes to trendy restaurants and waiters who announce themselves by name. Her characters stumble toward new beginnings with appealingly human hesitancy: Even the elderly widowed artist who voices Lurie’s most autumnal musings seems poised for renewal in the good-natured finale. The dreadful Myra finally asserts her own political ambitions and temporarily ceases trying to manage everyone else’s lives; and Jenny draws strength from her love for Lee to nourish her ongoing but evolving commitment to Wilkie. No great revelations, but a strong story from a sharp observer of the American social scene. (First printing of 35,000; author tour)

Pub Date: July 1, 1998

ISBN: 0-8050-5866-4

Page Count: 321

Publisher: Henry Holt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 1998

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NORMAL PEOPLE

Absolutely enthralling. Read it.

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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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THE BLUEST EYE

"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.

Pub Date: Oct. 29, 1970

ISBN: 0375411550

Page Count: -

Publisher: Holt Rinehart & Winston

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: Oct. 1, 1970

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