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WORDS AND WORLDS

FROM AUTOBIOGRAPHY TO ZIPPERS

An appealing miscellany.

Pulitzer Prize–winning novelist, children’s book author, and cultural observer Lurie (Emerita, English/Cornell Univ.; The Language of Houses: How Buildings Speak to Us, 2014, etc.) offers a personal perspective on literature, feminism, fashion, and treasured friendships.

Although a few of the essays—e.g., on women’s decisions to change their surnames after marriage, the meaning of aprons, or fashion’s arcane rules—seem dated and others rather slight, most are engaging. Among the liveliest are the author’s recollections of friendships with editor Barbara Epstein, writer and artist Edward Gorey, and poet James Merrill. Lurie met Epstein when both were students at Radcliffe—in the 1940s, Radcliffe women were “poor relations” compared to Harvard men, Lurie recalls in “Their Harvard”—and was impressed at once by her “quiet, often almost invisible brilliance” and her capacious reading. When Epstein became editor at the New York Review of Books, Lurie relied gratefully on both her editorial skill and “remarkable” tact. Also remembered with affection is the “immensely intelligent, perceptive, amusing, inventive, skeptical,” and “scarily gifted artist” Gorey, whom Lurie first met at a quirky bookstore in Cambridge, Massachusetts. They took excursions to make tombstone rubbings, were involved in the Poets’ Theatre of Cambridge, and, later, when both lived in Manhattan, became best friends. Gorey was inspired to write The Doubtful Guest by Lurie’s offhand comment that having a young child around all the time “was like having a houseguest who never said anything and never left.” Equally warm is Lurie’s portrait of Merrill, whom she admired for “how intensely aware he was of language, even in the most casual and banal circumstances.” One of the longest, and most captivating, essays, “What Happened in Hamlet,” recounts Lurie’s experience watching a month of rehearsals as Jonathan Miller directed the play in 1974, with Irene Worth as Gertrude and Peter Eyre as the beleaguered prince. Worth, Lurie writes, even offstage, emoted as if she had an audience of 500. Musings on “Pinocchio,” the Babar tales, Harry Potter, and “Rapunzel” stand out among essays on children’s books.

An appealing miscellany.

Pub Date: May 14, 2019

ISBN: 978-1-883285-78-4

Page Count: 225

Publisher: Delphinium

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: March 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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