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The Arsonist's Last Words

A moving parable about the wounding effects of human tragedy and the collateral damage of the search for moral truth.

Awards & Accolades

Our Verdict

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  • Kirkus Reviews'
    Best Books Of 2013

An elegiac novel that deftly combines elements of investigative journalism and crime fiction.

This debut effort follows the morally wrenching aftermath of a major urban catastrophe in a way that’s eerily evocative of the 9/11 attacks. A massive fire consumes the Parramore Plaza in Orlando, Fla., killing 115 people and emotionally scarring untold more. Marko Abissi, a recently fired janitor, immediately falls under suspicion, as he all too perfectly fits the profile of an arsonist: He has a history of violence and a personal life crumbling into disarray. There are also rumors that he has ties to the Middle East. Juni Bruner, a grizzled veteran reporter, tirelessly investigates every lead, desperately trying to make sense of the despairingly senseless. The book’s startlingly innovative structure powerfully captures the city’s madness in response to the disaster. Instead of a traditional novel told from a single perspective, the book is more like a heap of archival documents—including newspaper articles, personal correspondence, transcripts of telephone conversations and even a worker’s compensation report. The reader becomes a proactive participant in the investigation, poring over the dark mystery’s disjointed evidence. From the outset, the novel reveals that Bruner won a Pulitzer Prize for her ace reportage and that she ultimately took her own life, leaving only a 200-page manuscript as a clue to her inconsolable sadness. Her spiraling descent mirrors the city’s frenzied chaos, its people numbed by depression and enlivened by the urgency to assign blame. Although the climax is fairly predictable early on, it’s still a poignant conclusion to a stirring tale. It’s a testament to the author’s skill that the narrative remains a seamless whole, even as it unfolds in fractured parts.

A moving parable about the wounding effects of human tragedy and the collateral damage of the search for moral truth. 

Pub Date: Sept. 7, 2012

ISBN: 978-0985535803

Page Count: 308

Publisher: Mansfield House Books

Review Posted Online: May 24, 2013

Kirkus Reviews Issue: June 15, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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