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ELIZABETH OF YORK

A TUDOR QUEEN AND HER WORLD

Admitting that she was not a dynamic figure, Weir portrays Elizabeth as a passive observer or victim and often ignores her...

Prolific, best-selling author Weir (Mary Boleyn: Mistress of Kings, 2011, etc.), who specializes in female royalty, presents another popular biography, a serious work definitely not aimed at a bodice-ripper audience.

This Tudor Elizabeth (1466–1503) lived a century before her much better-known granddaughter, but she was important: the daughter, wife and mother of kings, including Henry VIII. England’s bloody War of the Roses seemed to end in 1461 when Edward of York defeated his Lancastrian enemies and took the throne as Edward IV. This proved illusory when he offended powerful allies by marrying an obscure subject, Elizabeth Woodville, and promoting her family. When he died in 1483, no law prevented Edward’s 12-year-old firstborn, Elizabeth of York, from inheriting the throne, but no one considered women fit to govern if men with reasonable claims could be found. There were plenty at the time—and none a century later when Henry VIII’s son died, allowing his sisters, Mary and Elizabeth I, to rule. There followed two chaotic years during which her uncle, the Duke of York, murdered Edward’s two sons, threatened his widow and daughters, seized power as Richard III, and fended off rivals until killed in battle in 1485 by Henry Tudor, who married Elizabeth, uniting two families whose factions had fought bitterly for 50 years and launching the modern British monarchy as Henry VII. “Elizabeth of York’s role in history was crucial,” writes the author, “although in a less chauvinistic age it would, by right, have been more so.”

Admitting that she was not a dynamic figure, Weir portrays Elizabeth as a passive observer or victim and often ignores her entirely as she delivers an intensely researched, opinionated, almost blow-by-blow political history of Britain during the turbulent last half of the 15th century.

Pub Date: Dec. 3, 2013

ISBN: 978-0-345-52136-1

Page Count: 608

Publisher: Ballantine

Review Posted Online: Sept. 20, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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