by Alison Weir ‧ RELEASE DATE: March 1, 2007
An affecting portrayal.
Weir’s erudition in matters royal finds fictional expression in the story of England’s briefest reigning sovereign, Lady Jane Grey.
Lady Jane is often viewed as merely pathetic. Who better to rehabilitate her than Weir (Queen Isabella, 2005, etc.), author of numerous works of popular history, five of which concern the Tudor dynasty. In setting her first novel around Lady Jane, daughter of Henry VIII’s niece, Frances, Weir must surmount two major historical constraints; first, that Jane’s fate is known, and second, that Jane, though precocious and unusually well-schooled for a girl of the time, is a necessarily passive character. A minor throughout, Jane is subject to the whims of corrupt and ambitious adults bent on exploiting her bloodline to advance their own agenda. A Tudor Mommie Dearest, Frances hardens her heart against Jane for failing to be born male. Frances brutally punishes her on the slightest pretext, and Jane is happy to escape to the household of Queen Katherine Parr, King Henry’s sixth wife. After Katherine’s death, Jane narrowly escapes getting caught up in the doomed machinations of the Seymours, protectors of boy-king Edward VI. Frances’ plan to betroth Jane to Edward fizzles. The Seymours’ replacement, the Duke of Northumberland, seeks to circumvent Henry’s will, which provides for the succession of princesses Mary and Elizabeth. As Edward lies dying of consumption exacerbated by a little arsenic, the Duke prompts him to name Jane as his successor. Jane at first refuses the crown, but, a devout Protestant, she’s persuaded that the accession of Mary would mean the country’s reversion to Catholicism. Jane reigns for nine days, but her court evaporates when Mary musters a large army. Now Queen, Mary is loath to execute 16-year-old Jane, but succumbs to pressure from her Catholic allies. Jane has one chance to escape the headsman: Convert to Catholicism. But although Protestants don’t have saints, they have martyrs, and Jane, in the end, is determined to be one.
An affecting portrayal.Pub Date: March 1, 2007
ISBN: 0-345-49485-7
Page Count: 416
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2006
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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