A vivid, endlessly interesting view of the home front.




Revealing portrait of America in the early years of WWII.

Those who remember English-born Cooke as the avuncular and courtly host of Masterpiece Theatre may be surprised to learn that he was ever young—and that, as a young journalist, he had few illusions about his adoptive land. Reporting for the BBC’s Home and Empire Services, Cooke took off from New York long after Pearl Harbor to see what this giant ally would mean to Britain, and he opens apologetically, since Britain had been fighting alone for two years. Asking his listeners to hear tales of “American sacrifice,” he admits, “must have seemed as if we were asking you to take out your handkerchief and weep for a very rich man who had mislaid a favorite diamond ring.” He is duly incensed when he heads west and discovers wealthy playboys playing golf and sunning themselves poolside in places like Tucson and Los Angeles; he is scornful when he meets gringos who deride their Mexican neighbors for being dirty and disease-ridden; he is astonished by the “fact that most regions of the country, passionately knowledgeable about their own characteristics, and patient in helping the stranger refine his knowledge of them, yet show the blandest ignorance of what goes on thirty or 100 miles away.” Yet Cooke is also mindful of sacrifices made, among them the disruptions suffered by the commandeering of civilian transport to the federal rationing program, which forced one West Texas rancher to get back on a horse after years of riding the range in a truck (“Of course,” says another, “the cows don’t know the war’s on”). Americans being Americans, he notes in a 1945 postscript, that rationing begat a huge “black market in meat [that] was so now expertly organized that its profits far outshone the amateur take of the liquor lords of the 20s.”

A vivid, endlessly interesting view of the home front.

Pub Date: May 16, 2006

ISBN: 0-87113-939-1

Page Count: 336

Publisher: Atlantic Monthly

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2006

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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