Another deeply felt entry on two divergent, yet ultimately compatible, ways of engaging the world and understanding reality.
The New Atheists have it all wrong, insists McGrath (Science and Religion/Oxford Univ.; C.S. Lewis—A Life: Eccentric Genius, Reluctant Prophet, 2013, etc.).
Instead of delving deep into the classic proofs for the existence of a cosmic intelligence—cosmological, ontological, or theological arguments—the author concentrates on the basic errors of atheism. McGrath’s particular nemesis is The God Delusion author, Richard Dawkins. Those who rely solely on science for all the answers forget that scientific “facts” are not fixed but change with new information and new thinking. Though Charles Darwin’s insights remain intact, social Darwinism, after all, has had its day. Not so long ago, the Big Bang supplanted the steady state theory of the history of our universe, and the sun no longer revolves around the Earth. That has been scientifically established. Many of McGrath’s arguments for faith are based simply on “widely agreed” notions and “growing consensus.” He asserts that there are “strong indications that religion is something natural.” To understand the mechanics of the world, writes the author, we should ask the scientists; for ethics and meaning, we must turn to philosophers and theologians. Defender of the faith McGrath seems to consider his own Christian belief the sole representative of all religious faith—though the only Scripture he directly quotes is from the Hebrew book of Psalms. Much more ecumenical and accessible is Jonathan Sacks’ wonderful The Great Partnership (2012), which tackles many of the same existential topics. McGrath’s entry isn’t light reading, however, and close attention may provide new questions and yield nutrients for further thinking for adherents of both camps. Despite the declarations of religious fundamentalists or fundamentalist New Atheists, each path has a place in humanity’s search for knowledge and understanding.
Another deeply felt entry on two divergent, yet ultimately compatible, ways of engaging the world and understanding reality.Pub Date: Nov. 3, 2015
ISBN: 978-1-250-07792-9
Page Count: 272
Publisher: St. Martin's
Review Posted Online: Aug. 16, 2015
Kirkus Reviews Issue: Sept. 1, 2015
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
The author’s sincere sermon—at times analytical, at times hortatory—remains a hopeful one.
New York Times columnist Brooks (The Social Animal: The Hidden Sources of Love, Character and Achievement, 2011, etc.) returns with another volume that walks the thin line between self-help and cultural criticism.
Sandwiched between his introduction and conclusion are eight chapters that profile exemplars (Samuel Johnson and Michel de Montaigne are textual roommates) whose lives can, in Brooks’ view, show us the light. Given the author’s conservative bent in his column, readers may be surprised to discover that his cast includes some notable leftists, including Frances Perkins, Dorothy Day, and A. Philip Randolph. (Also included are Gens. Eisenhower and Marshall, Augustine, and George Eliot.) Throughout the book, Brooks’ pattern is fairly consistent: he sketches each individual’s life, highlighting struggles won and weaknesses overcome (or not), and extracts lessons for the rest of us. In general, he celebrates hard work, humility, self-effacement, and devotion to a true vocation. Early in his text, he adapts the “Adam I and Adam II” construction from the work of Rabbi Joseph Soloveitchik, Adam I being the more external, career-driven human, Adam II the one who “wants to have a serene inner character.” At times, this veers near the Devil Bugs Bunny and Angel Bugs that sit on the cartoon character’s shoulders at critical moments. Brooks liberally seasons the narrative with many allusions to history, philosophy, and literature. Viktor Frankl, Edgar Allan Poe, Paul Tillich, William and Henry James, Matthew Arnold, Virginia Woolf—these are but a few who pop up. Although Brooks goes after the selfie generation, he does so in a fairly nuanced way, noting that it was really the World War II Greatest Generation who started the ball rolling. He is careful to emphasize that no one—even those he profiles—is anywhere near flawless.
The author’s sincere sermon—at times analytical, at times hortatory—remains a hopeful one.Pub Date: April 21, 2015
ISBN: 978-0-8129-9325-7
Page Count: 320
Publisher: Random House
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
