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TO LOVE WHAT IS

A MARRIAGE TRANSFORMED

Totally engaging and surprisingly frank. For women concerned about facing a similar future, disturbing yet somehow...

A gripping portrayal of how the lives of a wife and her husband were forever changed when the husband incurred permanent brain damage.

Feminist author Shulman (A Good Enough Daughter, 1999, etc.)—a fiercely independent woman whose marriage was based on autonomy and freedom and for whom privacy and time for her writing were paramount—was suddenly deprived of both when her husband Scott’s traumatic brain injury left him dependent and demented, yet still loving and lovable. Within the details of the accident and the aftermath—a ten-foot fall in the middle of the night on a small island off the coast of Maine, his rescue, his subsequent time in hospitals and rehab and his return home—the author interweaves the story of their unusual romance. It began with a teenage crush in 1950, followed by a 34-year hiatus in which each married, had children and divorced (she twice). Their relationship resumed in 1984, and by the time of the accident they had been together for some 20 years. Her early misunderstanding of the doctors’ prognosis—she thought he would return to normal in one year—was gradually replaced by the stark realization that while physical improvements in strength and mobility were possible, his mental capacities, including his short-term memory, were gone. How she dealt with this shattering knowledge and managed his care, as well as how their relationship changed, comprise the core of this compelling love story. Although she rejoiced in his small triumphs and basked in his warmth and charm, the author includes the frightening episodes when he disappeared or became so hostile and violent that she called the police.

Totally engaging and surprisingly frank. For women concerned about facing a similar future, disturbing yet somehow reassuring.

Pub Date: Sept. 24, 2008

ISBN: 978-0-374-27815-1

Page Count: 176

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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