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THE WIVES' TALE

A family saga, with murder, incest, oddball characters, a remote country setting—in fact, all the usual ``American Gothic'' ingredients with a light dusting of magical realism, Vermont-style, thrown in for literary good measure. Generations of Dufores have lived in Esperance in rural Vermont, but something about the family makes marriage to a Dufore a risky proposition. Locals talk of tainted blood, something that gets passed down—``in some families it's the sugar sickness, or a fondness for the bottle.'' And when great-grandson Daniel is brought back to be buried, Marie, well over 90, thinks it's time to ``review'' all the events in her family's life. Her first husband, convinced that the apocalypse was nigh, had taken their only child and jumped into a nearby brook to live safely there as trout; her second husband, the father of the surviving Dufores, had literally rotted away; son Ab had died from spontaneous combustion; and son Rich was haunted by second sight. Grandson Dennis carried rocks in his pockets to stop him from flying away, and great-grandson Daniel, who once murdered a man to protect his young sister, a surviving Siamese twin, committed suicide because his head was crowded with stories demanding to be told. Each generation has courted and married, but the price—particularly for the wives—has always been high. Female Dufores have also been affected, though they tended to flee to the West, never to be seen again. Whatever the Dufores try, Marie decides, ``life just seems to lead you where it wants you to go.'' The trouble is, oddities apart, the Dufores are just too nice really to shock or horrify. Wilber tells a good story well, but this debut novel, readable and entertaining as it is, is a bit of a hybrid—an uneven mix of the comic, the tragic, and the stylistically pretentious.

Pub Date: Aug. 26, 1991

ISBN: 0-393-02975-1

Page Count: 352

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1991

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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