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SAM

There isn't enough texture in its treatment of the many serious issues faced by its heroine to satisfy readers.

A child's-eye view of growing up with a single mom, a troubled dad, and very slim resources.

"There is a girl, and her name is Sam. She has a mother named Courtney and a dad who is sort of around, sort of not." Goodman's seventh work of fiction follows her protagonist from ages 7 to 19, using very close third-person narration to limit the story to what is seen and understood by Sam herself. So, for example, what we know about her father's addiction issues or her mother's relationship with a violent but wealthy boyfriend is circumscribed in a way that soon begins to feel frustrating. Also, the tone of the narration seems to age very slowly, with extremely simple sentences and observations persisting as Sam starts high school and begins to get involved with boys. "Sam’s mom is a little different. She says, 'Let’s be real here.' She takes Sam to Planned Parenthood to get a prescription for the pill. This is because Sam was a surprise, and Courtney never finished her degree." This almost sounds like a picture book about birth control. Sam's main talent and interest is rock climbing, which she first encounters at a fair with her father, and from the start her will to succeed in the sport derives in large part from a craving for his difficult-to-capture attention. When she's in ninth grade, this need will be transferred to a college-age male coach, with problematic results. The sexual aspects and emotional dangers of that relationship are skimmed over with lyrical narration that feels almost coy at this point: "It is strange but magic in his apartment. It is wrong but deli­cious, like all the things not good for you....They are so secret; they are almost secret from themselves, almost dreaming when they lie down together….They steal time—not just hours, but the years between seventeen and twenty-two. They hide those years under their coats, and when they are together they leave those years on the floor with their boots, and socks, and clothes." By glossing over the fact that this is statutory rape and by letting its psychological implications and outcomes go unexplored, Goodman limits the reach of the novel.

There isn't enough texture in its treatment of the many serious issues faced by its heroine to satisfy readers.

Pub Date: Jan. 3, 2023

ISBN: 978-0-593-44781-9

Page Count: 336

Publisher: Dial Press

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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DEMON COPPERHEAD

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

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Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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