There isn't enough texture in its treatment of the many serious issues faced by its heroine to satisfy readers.
A child's-eye view of growing up with a single mom, a troubled dad, and very slim resources.
"There is a girl, and her name is Sam. She has a mother named Courtney and a dad who is sort of around, sort of not." Goodman's seventh work of fiction follows her protagonist from ages 7 to 19, using very close third-person narration to limit the story to what is seen and understood by Sam herself. So, for example, what we know about her father's addiction issues or her mother's relationship with a violent but wealthy boyfriend is circumscribed in a way that soon begins to feel frustrating. Also, the tone of the narration seems to age very slowly, with extremely simple sentences and observations persisting as Sam starts high school and begins to get involved with boys. "Sam’s mom is a little different. She says, 'Let’s be real here.' She takes Sam to Planned Parenthood to get a prescription for the pill. This is because Sam was a surprise, and Courtney never finished her degree." This almost sounds like a picture book about birth control. Sam's main talent and interest is rock climbing, which she first encounters at a fair with her father, and from the start her will to succeed in the sport derives in large part from a craving for his difficult-to-capture attention. When she's in ninth grade, this need will be transferred to a college-age male coach, with problematic results. The sexual aspects and emotional dangers of that relationship are skimmed over with lyrical narration that feels almost coy at this point: "It is strange but magic in his apartment. It is wrong but delicious, like all the things not good for you....They are so secret; they are almost secret from themselves, almost dreaming when they lie down together….They steal time—not just hours, but the years between seventeen and twenty-two. They hide those years under their coats, and when they are together they leave those years on the floor with their boots, and socks, and clothes." By glossing over the fact that this is statutory rape and by letting its psychological implications and outcomes go unexplored, Goodman limits the reach of the novel.
There isn't enough texture in its treatment of the many serious issues faced by its heroine to satisfy readers.Pub Date: Jan. 3, 2023
ISBN: 978-0-593-44781-9
Page Count: 336
Publisher: Dial Press
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
