Jones (Last Year’s River, 2001, etc.) has written a most American of novels, bristling with hard truths.



Eli Singer is a renowned poet whose artistic sensibilities are like "[Wendell] Berry meets Bukowski," but his elegant verse is crafted by a haunted man.

Remote eastern Montana is a place where the wind, cold, and isolation break men and drive women mad, and so it was for 12-year-old Eli’s mother. First a housekeeper for Buddy Singer, bachelor rancher, and then his wife, she struggled with loneliness, boredom, and her failure as a parent. Eli and his 14-year-old sister, Emma, took their stepfather's name, but soon Emma ran away to share the bed of a neighboring rancher three times her age. There was a scandal, then two people died. Decades later, only Eli knows the true story, which comes in flashbacks that expand the scope and deepen the resonance of this tale, one of love and family set against a rugged Old West ethos. It begins after middle-aged Eli is pulled from his isolation by Chloe Barnes. Eli makes a rare trip to New York City to meet with his publisher, and while there, he is introduced to Chloe, a literary agent. The attraction is mutual and magnetic. First, it’s all telephone calls, but then Chloe flies to Montana, and two damaged souls stumble toward connection. Soon, though, the love story is framed by a clash of morality. A thunderstorm exposes a hidden grave; a murdered man surfaces, the corpse suspiciously secreted on Eli’s land inherited from Buddy. Both Eli and Chloe are thoroughly human, flawed people yet sympathetic protagonists. Chloe seeks a hero, a protector, stability. Eli is guilt-ridden, closed off, gut-wrenchingly lonely. With broad strokes painting an eastern Montana landscape and flashes of insight about the people who cling to its land, Jones rides past the softer romances of Nicholas Sparks into the hard country populated by the best of Western writers.

Jones (Last Year’s River, 2001, etc.) has written a most American of novels, bristling with hard truths.

Pub Date: Nov. 15, 2016

ISBN: 9781632460455

Page Count: 234

Publisher: Ig Publishing

Review Posted Online: Sept. 21, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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