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HOW TO RIG AN ELECTION

CONFESSIONS OF A REPUBLICAN OPERATIVE

Refreshingly candid about his vindictive motives, Raymond offers a damning chronicle of political hubris.

One of the Northeast GOP’s top campaigners tells how he became an agent of corruption for the Republican revolution.

Raymond’s great-grandfather, John Thomas Underwood, founded the famous typewriter company, and while the author’s share of that fortune ensured that he’d never go hungry, “family pride—hell, my own pride—ensured that I’d never be some yacht-hopping scion.” After graduating from college in 1989 and spending a few desultory years in PR, he wandered into the Graduate School of Political Management. Based at the time in New York City, GSPM pushed a militaristic, Machiavellian approach to the business that was seductive to a drifter like Raymond: “I wanted to pick a fight, have a fight, and win a fight.” For little apparent ideological reason, he went to work for the Republicans in New Jersey; later he ran a doomed campaign for a pro-choice GOP Philadelphia socialite with more friends than smarts. Raymond climbed the party ladder during the heady post-Gingrich days, when the very thought of compromise could infuriate the new South-centric Republican leadership, whose campaign rhetoric he derides as “pro-life, snake-handling babble.” It’s surprising at first to hear such criticisms from a highly placed operative in the Republican National Committee, but it becomes markedly less so once Raymond gets to the crux of the matter: how he was hung out to dry and went to jail for following orders to jam Democratic volunteers’ phone lines. As he states early on, “In GOP circles in 2002 it seemed preposterous that anything you did to win an election could be considered a crime.” He saw the light in prison and decided to tell the American voters about the dirty tricks he practiced, which he sees growing ever more common. “Now what are you going to do about it?” he asks.

Refreshingly candid about his vindictive motives, Raymond offers a damning chronicle of political hubris.

Pub Date: Feb. 1, 2008

ISBN: 978-1-4165-5222-2

Page Count: 248

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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