This small but firm step on an artist’s journey is both inspiration to his fellows and an informative window into a...

THE INKER'S SHADOW

In this continuation of Say’s graphic memoir, Drawing from Memory (2011), he travels to the United States and receives a decidedly mixed welcome.

Arriving in southern California in 1953, 15-year-old Allen first settles in a military academy but is soon asked to leave because his sponsor comes to believe that he won’t be (as Say’s own openly hostile father puts it) “a wholesome American.” Never quite fitting in, he goes on to acquire an apartment and a job, take art classes, and, after high school graduation, set off in relief for San Francisco. “I will never,” he concludes emphatically, “come back.” Though his personal voice, his gratitude for the support he does receive, and occasional flashes of rueful humor are evident enough, overall his sense of isolation from people and events around him colors his entire experience. The many quick sketches, caricatures, practice pieces, and even the relatively finished scenes of significant incidents or encounters with which his account is interspersed, though, add life and feeling in abundance to the often spare narrative. Moreover, all along the way, his determination to become a cartoonist never fades, and at low moments Kyusuke, the free-spirited alter ego created for him back in Japan by his mentor and sensei, Noro Shinpei, pops into view to remind him that it’s all an adventure.

This small but firm step on an artist’s journey is both inspiration to his fellows and an informative window into a particular slice of the nation’s history. (afterword, with photos) (Graphic memoir. 10 & up)

Pub Date: Sept. 29, 2015

ISBN: 978-0-545-43776-9

Page Count: 80

Publisher: Scholastic

Review Posted Online: July 27, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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A must-read reminder that transformation is made possible through community.

THE AWAKENING OF MALCOLM X

Explores historical threads of race, faith, and family as they weave together in the transformation of youthful, imprisoned Malcolm Little into empowered, purpose-driven Malcolm X.

Shabazz, daughter of Malcolm X and Betty Shabazz, partners with rising literary star Jackson to explore 20-something Malcolm’s growth through reading, debate, and dialogue. This dedication and rediscovery of purpose, made manifest through newfound faith, would catapult him to the global stage as the chief spokesman for the Nation of Islam under the tutelage of the Honorable Elijah Muhammad. Refusing to establish his transformation as the marker of an unjust prison system’s rehabilitation strategy, this fictionalized retelling spotlights the relationships, perspectives, lessons, and questions delivered by Black men imprisoned around him and the critical embrace of a family that never abandoned him. “Wake up, Malcolm” is a cue that resounds throughout, linking the familial legacy of Malcolm’s parents, who held ties to ministry and served roles in the racial uplift mission of Marcus Garvey’s Universal Negro Improvement Association. Readers will make connections to persistent injustices faced by Black communities—and the beautiful ways which, despite that terror, Black families have found to craft visions of freedom and lives of dignity and love. This novel showcases the ways that becoming is a social process requiring care, commitment, and community but is ultimately world-changing work.

A must-read reminder that transformation is made possible through community. (more information, timeline, Malcolm X’s reading list, authors’ note) (Biographical novel. 12-18)

Pub Date: Jan. 5, 2021

ISBN: 978-0-374-31329-6

Page Count: 288

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 23, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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Ephemeral—unlike the art here (some of it, at least) and those fondly remembered little books.

EVERYTHING I NEED TO KNOW I LEARNED FROM A LITTLE GOLDEN BOOK

Chicken soup for fans of Golden Books, from the line’s editorial director.

Reasoning that hard times have come to America (“The chickens have come home to roost, and their names are Debt, Depression, and Diabetes”), Muldrow offers this book as palliative. She gathers single illustrations from 61 Little Golden Books and adds pithy captions as anodynes, such as “Don’t panic…” (beneath Tibor Gergely’s 1948 image of a dismayed child holding detached braids) or “Have some pancakes” (Richard Scarry, 1949). Though some of her advice has a modern inflection (“Don’t forget your antioxidants!”), the pictures all come from titles published between 1942 and 1964 and so, despite the great diversity of artistic styles, have a quaint period look. Not to mention quaint period values, from views of apron-wearing housewives and pipe-smoking men (or bears) to, with but two exceptions, an all-white cast of humans. Furthermore, despite the title’s implication, the exhortations don’t always reflect the original story’s lesson or theme; rather than “Make a budget—and stick to it!” the lad in Miriam Young’s 5 Pennies To Spend (illustrated by Corinne Malvern, 1955) actually used his hoard to help others in need.

Ephemeral—unlike the art here (some of it, at least) and those fondly remembered little books. (Picture book. 12 & up)

Pub Date: Sept. 24, 2013

ISBN: 978-0-307-97761-8

Page Count: 96

Publisher: Golden Books/Random

Review Posted Online: Aug. 14, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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