by Allison Amend ‧ RELEASE DATE: May 24, 2016
Despite some improbable plot twists, appealing characters and vivid local color make for an entertaining read.
Secrets, lies, and spies on a faraway island.
The real-life Frances and Ainslie Conway spent years before, during, and after World War II on the Galápagos Islands, recording their unusual adventure in two memoirs that have inspired Amend’s (A Nearly Perfect Copy, 2013, etc.) pleasurable new novel. Her fictional Frances grows up in a Jewish immigrant family in turn-of-the-century Duluth, with a best friend, Rosalie, who is being sexually exploited and parents too poor even to let her finish high school. The two girls run away when they are 15, but their paths soon diverge: Rosalie eventually marries a rich man and becomes a socialite; Frances, after putting herself through college, ends up as a secretary in San Francisco, working for Navy Intelligence. One day, her boss presents her with “a strange proposition.” It seems that one Ainslie Conway, a military man who “does some shadow work” for the Navy, is being assigned to “a rather remote post, and part of his cover,” he tells Frances, “requires that he arrive with a wife.” No explanation is provided for this requirement, but soon Frances, at 50, is married to the handsome, charming Ainslie, 11 years her junior. Although he sometimes stays out all night, although Frances notices lingering looks between him and other men, and although Ainslie takes three months to consummate their union, she fails to guess that he's gay until, on the island, she catches him kissing a man. “You’ll wonder how I could have been so blind,” she admits. But she realizes, too, that her love for him is “deeper than mere facts.” On the island, the Conways are supposed to look out for German spies, but Amend portrays espionage as less challenging than the arduous struggles of daily life.Despite some improbable plot twists, appealing characters and vivid local color make for an entertaining read.
Pub Date: May 24, 2016
Page Count: 320
Publisher: Nan A. Talese
Review Posted Online: March 2, 2016
Kirkus Reviews Issue: March 15, 2016
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by Amor Towles ‧ RELEASE DATE: Sept. 6, 2016
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...
Awards & Accolades
Best Books Of 2016
New York Times Bestseller
Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.
Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility (2011).
Pub Date: Sept. 6, 2016
Page Count: 480
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
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A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Pub Date: April 7, 2020
Page Count: 272
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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