The author never finds her subject in this mostly lackluster account of a memorable literary figure.
A fictionalized take on the trailblazing life of 19th-century feminist Margaret Fuller.
Much has been written about Fuller, including a Pulitzer Prize–winning biography published in 2014. But Pataki believes Fuller still hasn’t gotten her due—especially in comparison to her male contemporaries. Hence this novel, which begins in Concord, Massachusetts, in 1836, when the 26-year-old Margaret—home-schooled by her father and highly educated for a woman of her time—first visits Ralph Waldo Emerson. Waldo, as he was known, becomes her great mentor and friend, and soon Margaret is keeping company with the likes of Henry David Thoreau and Nathaniel Hawthorne. In this telling, Emerson and Hawthorne are wildly attracted to her—Hester Prynne in Hawthorne’s The Scarlet Letter is thought to have been inspired by Fuller—but remain tied to their traditional wives. Though not exactly lonely, Margaret, who narrates her story, is portrayed as a woman alone, struggling with financial woes. Yet soon enough she is making a name for herself, leading groundbreaking conversation groups for women; editing The Dial, journal of the Transcendentalists; writing books; and working for social reform. After she signs on as a journalist for the New-York Tribune, editor Horace Greeley sends her to report from Europe as the first female foreign correspondent. Margaret eventually arrives in Italy to cover the country’s fight for independence and begins an affair with a Roman soldier, Giovanni Ossoli, with whom she has a baby. Despite these dramatic events, much of the novel is earnest and tame, the opposite of a page-turner. There’s a lot of clumsy exposition and literary name-dropping, with dialogue nowhere near as lively as the characters speaking it.
The author never finds her subject in this mostly lackluster account of a memorable literary figure.Pub Date: March 19, 2024
ISBN: 9780593600238
Page Count: 416
Publisher: Ballantine
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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