Each character comes alive in this rich, dynamic novel.
A somewhat fictionalized account of “Gibson Girl” Evelyn Nesbit’s tumultuous fortunes, with a wholly invented ending worthy of the protagonist’s talents.
In recent years we’ve seen a lot of attention given to the highborn and/or very rich of the late-19th and early-20th centuries: Think Downton Abbey, The Gilded Age, The Buccaneers, many of them focused on privileged and protected young women. Author Pataki has chosen to focus instead on a singular girl, Evelyn Talbot, originally from the mining town of Tarentum, Pennsylvania, whose stunning beauty leads her to work as an artist’s model by age 13: First for a Pittsburgh painter named Leah Dawson, then posing as an angel for a Louis Comfort Tiffany window, and eventually inspiring Charles Dana Gibson’s drawing Woman: The Eternal Question, with the pouf-y hairstyle that fixed “The Gibson Girl” in history. Evelyn’s surname has been changed from her real one of Nesbit, and a few other historical figures have also been renamed, because this Evelyn’s trajectory will deliberately vary from her historical counterpart’s. Her ambition and the family’s financial precarity lead her to audition for stage roles, eventually becoming a sought-after singer, dancer, and actor who attracts the attention of men and women—and in the rigid society of the early 1900s, she receives scores of offers from men wishing to “protect” her. Evelyn and her mother experience both great luxury and terrible treatment at the hands of powerful men, first Stanley Pierce (based on celebrated architect Stanford White) and then Hal Thorne (based on playboy Harry Thaw), whose lives become entangled and end tragically. Evelyn’s alternate fate might be a feminist sleight of hand, yet as an author’s note explains, “What if I give Evelyn the opportunity to reclaim her own agency, even to rewrite her own ending?” It’s a worthy goal for a novel, and ultimately a very satisfying one, as well.
Each character comes alive in this rich, dynamic novel.Pub Date: March 10, 2026
ISBN: 9780593873410
Page Count: 416
Publisher: Ballantine
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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