A sympathetic and deeply moving story.

FAIRYLAND

A MEMOIR OF MY FATHER

A writer and former WNYC radio producer's lovingly crafted memoir about growing up with her gay poet dad in San Francisco during the 1970s and ’80s.

Abbott, her mother, Barbara, and her father, Steve, lived an unconventional but happy life in Atlanta until the night when Barbara was killed in a car accident. The author, 3, was inconsolable, and her bisexual father was “so distraught over [Barbara’s] death that he turned gay” (as her young mind conceived of it at the time) and never had a relationship with another woman again. With nothing left in Atlanta, Steve took his daughter to San Francisco to begin a new life. The pair moved into the bohemian, gay-friendly Haight-Ashbury district. In between doing odd jobs to support himself and his daughter and falling in and out of love with the wrong men, Steve became editor at the influential poetry journal, Poetry Flash. He also turned to Zen Buddhism to help him recover from drug and alcohol dependence. Meanwhile, the increasingly self-conscious author struggled to come to terms with being the child of a gay parent whose queerness “became my weakness, my Achilles heel.” Then, just as Steve began to find recognition as a poet and peace in the troubled relationship he had with his now-collegiate daughter, he developed AIDS. Deeply conflicted, Abbott returned to San Francisco from New York to take care of her father, who died a year later. What makes this story especially successful is the meticulous way the author uses letters and her father’s cartoons and journals to reconstruct the world she and her father inhabited. As she depicts the dynamics of a unique, occasionally fraught, gay parent–straight child relationship, Abbott offers unforgettable glimpses into a community that has since left an indelible mark on both the literary and social histories of one of America’s most colorful cities.

A sympathetic and deeply moving story.

Pub Date: June 3, 2013

ISBN: 978-0-393-08252-4

Page Count: 272

Publisher: Norton

Review Posted Online: March 30, 2013

Kirkus Reviews Issue: April 15, 2013

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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