In an autobiographical outing written in English and Spanish, Amada tells her diary all about her fear of moving from her home in Juárez, Mexico, to not only a new town, but also a new country. Fortunately, she has a father who understands her trepidation and he tells her that as a child, he too had to make a similar move in reverse. Still, the trip is fraught with anxiety, especially since once they arrive in Mexicali, another border town, Papá will leave for Los Angeles to look for work. Once she arrives at her grandmother’s, she’s surrounded by helpful family members, her uncles telling jokes, doing magic tricks, and doing favors. Then she hears from her father who is picking in the fields of Delano, California. His news is not encouraging, but one day, he sends their green cards and they get set to leave for California. The diary follows them on their journey, until they reach Los Angeles and she closes with the news that Papá has found a better job. Filling her story with the details of this watershed in her life, Pérez captures the essence of the trauma of moving to a new place that is universal to all children, but here it is expanded by the facts of her immigrant experience. Gonzalez, who teamed with Pérez on My Room (not reviewed), packs her lively pages with vibrant, jewel-toned color and vivid images, illuminating the text and adding the richness of the culture. A nice touch is the back of the book jacket, which is a map of the area, showing the route from Amada’s old home to the new one. Pérez has plainly remembered her grandmother’s advice: “Keep your language and culture alive in your diary and in your heart.” Very nicely done. (Picture book. 5-9)
Pub Date: Sept. 1, 2002
ISBN: 0-89239-175-8
Page Count: 32
Publisher: Children's Book Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
BOOK REVIEW
Nonspecific, soothing, and likely to put rainbows in many a real window.
A homemade rainbow serves as a bright reminder that all rainstorms end.
“All of the world had to stay home today,” a White child gripes, then jumps at her mother’s suggestion that they make a rainbow to hang in the window. Each color offers its own challenges and associations, from RED, which reminds the young painter of the chairs in her classroom, to VIOLET, the name of her sharply missed best friend. Why not give her a video call? As it turns out, Violet, a child of color, is making a rainbow for her window too—a terrific chance to get out of the house: “We walk to see hers, / and she walks to see mine. / We wave to each other and really, it’s fine. / Not perfect—but neither’s my rainbow. So what? / I’m perfectly happy with all that I’ve got.” Using paint, crayon, and paper collage, Hamilton illustrates Robinson’s reassuring rhyme with simply drawn scenes that begin with a street scene in which several windows are filled with diverse residents longingly looking out and end with an equally diverse group of children (including one in a wheelchair) playing in a puddle beneath a big natural rainbow. The book alludes to the social isolation of the current pandemic without naming it or touching on the many tragedies it’s wrought, ending reassuringly: “we’ll still have each other when this rainstorm ends!” (Here’s hoping.) A portion of the proceeds will be donated to Save the Children. (This book was reviewed digitally with 9.6-by-21.6-inch double-page spreads viewed at 79% of actual size.)
Nonspecific, soothing, and likely to put rainbows in many a real window. (Picture book. 5-8)Pub Date: Oct. 13, 2020
ISBN: 978-1-5476-0713-6
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Patchy work, both visually and teleologically.
The sultana of high-fructose sentimentality reminds readers that they really are all that.
Despite the title, we’re actually here for a couple of reasons. In fulsome if vague language Tillman embeds one message, that acts of kindness “may triple for days… / or set things in motion in different ways,” in a conceptually separate proposition that she summarizes thus: “perhaps you forgot— / a piece of the world that is precious and dear / would surely be missing if you weren’t here.” Her illustrations elaborate on both themes in equally abstract terms: a lad releases a red kite that ends up a sled for fox kits, while its ribbons add decorative touches to bird nests and a moose before finally being vigorously twirled by a girl and (startlingly) a pair of rearing tigers. Without transition the focus then shifts as the kite is abruptly replaced by a red ball. Both embodied metaphors, plus children and animals, gather at the end for a closing circle dance. The illustrator lavishes attention throughout on figures of children and wild animals, which are depicted with such microscopically precise realism that every fine hair and feather is visible, but she then floats them slightly above hazy, generic backdrops. The overall design likewise has a slapdash feel, as some spreads look relatively crowded with verses while others bear only a single line or phrase.
Patchy work, both visually and teleologically. (Picture book. 6-8)Pub Date: Sept. 1, 2015
ISBN: 978-1-250-05626-9
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: June 22, 2015
Kirkus Reviews Issue: July 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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